Emanuel Levy

Darkly comic, vastly entertaining and utterly original.

Beautifully detailed and deftly structured, every scene in The Apostle logically leads to the next one, each elaborating on the central theme of religious redemption.

A sensitive, intimate, enormously touching drama.

Demonstrates the impossibility of separating the private from the public dimensions of politics, and the pain involved in trying to account for behavior that cannot withstand rational examination.

Reveals Soderbergh in peak form, as he endows Leonard’s postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar.

Though lacking the sensationalistic elements of a movie like "Kids", Dollhouse offers unflinching realism, meticulous attention to detail and deliciously wicked humor as it explores the growing pains of a misfit.

As always, Techine is excellent at exploring “tiny” personal flashes that assume larger meaning when placed against the broader historical context.

The fun that Schlesinger and his first-rate ensemble must have had while working on this production is infectious, for there isn't one dull -- or quiet -- moment in the film.

Undoubtedly the most wildly original and audacious documentary in this year's Sundance Film Festival, Kirby Dick's Sick: The Life and Death of Bob Flanagan, Supermasochist is an uncompromising chronicle of the flamboyant poet and performance artist who died in 1996.

Despite good acting from the entire cast, yarn is a bit dull and predictable, straining too hard to convey its spiritual message.

Despite recurrent narrative and dramatic problems, each of Bigelow's pics provides a visual treat, and this film is no exception.

Heartbreaking yet truly inspirational.

A vibrantly colorful, wildly nihilistic and lovingly perverse poem to America's beautiful, libidinous and doomed youth. Though not his best, Araki's sixth feature is without a doubt his most accessible, sensual and superficially entertaining movie to date.

Anchored by a strong cast, including Samuel L. Jackson (also credited as a producer), Lynn Whitfield and Diahann Carroll, this talented debut by a black female writer-director is a well-made, if also old-fashioned, multi-generational drama.

A remarkably inventive and audacious film that almost overcomes its flaws.

Humor prevails throughout, but it doesn't deflate the disturbing elements of the tale, which miraculously manages to stay droll, heartfelt and poignant to the end.

Compassionate and deft as Cholodenko's helming is, pic's overall impact largely depends on its central triangle.

Gilliam's work is long on sensibility, short on sense.

Meticulous, sumptuous production design, and striking visuals compensate for the lack of dramatic momentum in a film that arguably stretches narrative form to its limits.

Though often enjoyable, it’s an old-fashioned, feel-good movie whose significance is more sociological than cinematic.

Massively inventive, Wonder Boys is spiked with fresh, perverse humor that flows naturally from the straight-faced playing.

Ultimately Kundun emerges as a movie that's hypnotic without being truly compelling, sensuously stunning but not illuminating.

In what's easily his most zealous and fully realized performance since "Malcolm X," Washington elevates the earnest, occasionally simplistic narrative to the level of a genuinely touching moral expose.

One has no problem praising the bravura acting of the entire ensemble.

A darkly intriguing drama that probes the very nature of love and the lasting effects of loss.

Greg Mottola's feature directorial debut, is an amusing farce about the delicate intricacies and imbalances of a modern marriage. A spirited cast, including old pros such as Anne Meara and younger talent such as Parker Posey, elevates the basically sitcom material into something fluffier and funnier than its nature suggests.

The fervent performances by the central duo, real-life poets Williams and Sohn (who wrote their own material), are impeccable, clearly stemming from their deep moral commitment to their work.

The pic is so well directed and lead performance by Sanaa Lathan so charismatic that audiences will overlook the script's flaws and root for the central duo.