Elise Nakhnikian

Select another critic »
For 99 reviews, this critic has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 6.6 points lower than other critics. (0-100 point scale)

Elise Nakhnikian's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 88 Nuts!
Lowest review score: 12 Taken 3
Score distribution:
  1. Positive: 58 out of 99
  2. Negative: 25 out of 99
99 movie reviews
    • 90 Metascore
    • 88 Elise Nakhnikian
    The courtroom's cramped, near-featureless air of bureaucratic stagnation becomes oppressive even for the audience, making it easy to identify with Viviane's growing hunger for freedom.
    • 89 Metascore
    • 88 Elise Nakhnikian
    The soft colors, graceful movements, and clean lines together embody the ineffable beauty of life on Earth that is one of the film's main themes.
    • 88 Metascore
    • 88 Elise Nakhnikian
    Laura Poitras teaches by example, providing a privileged insight into Edward Snowden's personality and motivation while keeping the focus on government spying.
    • 88 Metascore
    • 63 Elise Nakhnikian
    The allure of the road not taken and Saoirse Ronan's performance exert a powerful pull.
    • 87 Metascore
    • 88 Elise Nakhnikian
    True to its title, Marielle Heller's adaptation of Phoebe Gloeckner's semi-autobiographical novel has the loosely structured, unfiltered feel of a young person's diary.
    • 86 Metascore
    • 88 Elise Nakhnikian
    The film, never sensational or saccharine, is a tough but tender tribute to the creative power of maternal love.
    • 85 Metascore
    • 63 Elise Nakhnikian
    The film is a testament to the power of video to document resistance to corrupt and abusive regimes, but it's also a witness to the limits of that power.
    • 84 Metascore
    • 75 Elise Nakhnikian
    Documents emotionally charged interactions between patients and hospital staff without any signs that the subjects are being made to feel self-conscious or that they're behavior is being affected.
    • 83 Metascore
    • 75 Elise Nakhnikian
    The film's horror is spookily and movingly expressive of the tenuous position of women in 1980s Iran.
    • 47 Metascore
    • 25 Elise Nakhnikian
    Disney draws a big fat bullseye on the fast-growing infertile-couple demographic with this airless misfire.
    • 82 Metascore
    • 88 Elise Nakhnikian
    Throughout, director Penny Lane strings together telling incidents and anecdotes with a light touch.
    • 81 Metascore
    • 75 Elise Nakhnikian
    It has generous lashings of Aardman Animations' trademark warmth, visual inventiveness, and satisfying Claymation tactility.
    • 81 Metascore
    • 88 Elise Nakhnikian
    The cautious optimism with which it answers questions about rehabilitation and forgiveness is credible because the characters and setting feel so thoroughly authentic.
    • 79 Metascore
    • 75 Elise Nakhnikian
    Ron "Stray Dog" Hall proves to be a welcome antidote to stereotypes about burly, bearded red-state RV dwellers.
    • 79 Metascore
    • 38 Elise Nakhnikian
    The film the tough true story has spawned is as formulaically cheery, didactically "uplifting," and fundamentally false as a Disney sports movie.
    • 79 Metascore
    • 75 Elise Nakhnikian
    It respects and plumbs the feelings of all three main characters while surfacing the economic, ethnic, cultural, and gender power imbalances in their relationships.
    • 77 Metascore
    • 75 Elise Nakhnikian
    Despite the occasional cliché, this film mostly feels as messy as life, and as movingly complicated.
    • 77 Metascore
    • 75 Elise Nakhnikian
    This is a study of a man who's hard to like, harder to dismiss, and impossible to pigeonhole.
    • 77 Metascore
    • 75 Elise Nakhnikian
    A good story, full of life and related with intelligence and a sense of humor.
    • 76 Metascore
    • 75 Elise Nakhnikian
    Like a rural Fellini, Rohrwacher mixes the mundane with the absurd to create a sometimes fabulous tale that always feels palpably real.
    • 76 Metascore
    • 75 Elise Nakhnikian
    Nabil Ayouch's film allows us see how young suicide bombers--"horses of God," as the man in charge of their mission calls them--might deserve our pity.
    • 75 Metascore
    • 88 Elise Nakhnikian
    Like the work it illuminates, the doc feels formally impeccable yet utterly unstaged, a vivid distillation of a distinct and precious life.
    • 75 Metascore
    • 63 Elise Nakhnikian
    The film isn't preachy, but its indie-movie artiness sometimes get in the way of its noble mission, making us think more about the techniques being used than the effects they're meant to create.
    • 75 Metascore
    • 63 Elise Nakhnikian
    Highly polished yet never quite slick, it devolves now and then into cartoonish cutesiness with its broadly drawn minor characters.
    • 75 Metascore
    • 63 Elise Nakhnikian
    The documentary is hesitant to show the great work that resulted from Hayao Miyazaki's "grand hobby," never including clips from the classics referred to throughout.
    • 75 Metascore
    • 75 Elise Nakhnikian
    It highlights the potent dichotomies that, combined with Bergman's relatively unmediated beauty, made the actress luminescent both on and off screen.
    • 74 Metascore
    • 63 Elise Nakhnikian
    The central characters' dogged refusal to cede their places on a team that keeps trying to reject them is a moving display of heroism.
    • 74 Metascore
    • 88 Elise Nakhnikian
    It condenses everyday interactions, memories, and dreams into a potent mix of all the major ingredients of a well-lived life.
    • 74 Metascore
    • 88 Elise Nakhnikian
    A playfully self-reflective rumination on what writer-director Terence Nance has described as "self-awareness through experience with love."
    • 73 Metascore
    • 63 Elise Nakhnikian
    There's plenty of life in this honest, impressionistic portrait of a cohort of 21st-century American girls.

Top Trailers