Elisabeth Vincentelli

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New York Post, The New York Times
For 60 reviews, this critic has graded:
  • 35% higher than the average critic
  • 8% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Elisabeth Vincentelli's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 90 Sabbath Queen
Lowest review score: 20 AfrAId
Score distribution:
  1. Positive: 23 out of 60
  2. Mixed: 27 out of 60
  3. Negative: 10 out of 60
60 movie reviews
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    • 30 Metascore
    • 20 Elisabeth Vincentelli
    The Electric State
    Whereas the book is elliptical in narrative, muted in color palette and melancholy in mood, the movie is obvious, garish and just plain dumb.
    • 28 Metascore
    • 20 Elisabeth Vincentelli
    AfrAId
    This scenario’s predictability could be forgiven were the movie effective on any level, but it just isn’t, from Cho and Waterston’s wooden performances to jump scares that would not startle Scooby-Doo.
    • tbd Metascore
    • 30 Elisabeth Vincentelli
    Gray Matter
    It’s not so much that Gray Matter is formula, but that it is clumsily made formula. Except, that is, for Isaac’s performance.
    • 52 Metascore
    • 30 Elisabeth Vincentelli
    Kandahar
    Stupefyingly sluggish.
    • 49 Metascore
    • 30 Elisabeth Vincentelli
    A Tourist's Guide to Love
    A rom-com that so scrupulously fulfills every cliché of the genre, it might as well have been devised by ChatGPT.
    • 55 Metascore
    • 30 Elisabeth Vincentelli
    Violent Night
    Adding insult to bodily injury, the director, Tommy Wirkola (“The Trip,” “Dead Snow”), and the screenwriters, Pat Casey and Josh Miller, can’t even muster any decent set pieces. Instead, the movie unfurls as a tedious series of bloody deaths and witless dialogue.
    • 43 Metascore
    • 30 Elisabeth Vincentelli
    The Takedown
    Even the sight of the two frenemies wiping out racist goons is not enough to make up for the desperately frantic action scenes (hope you like interminable car chases), joyless jokes and hackneyed clichés.
    • 56 Metascore
    • 30 Elisabeth Vincentelli
    Mr. Saturday Night
    Maggio ends his story in the early 1980s, even though Stigwood lived until 2016. He is thinking small about a man who used to dream big.
    • 42 Metascore
    • 30 Elisabeth Vincentelli
    Needle in a Timestack
    [A] sluggish, blandly slick time-travel romance.
    • 35 Metascore
    • 20 Elisabeth Vincentelli
    Awake
    There is no getting around it: Mark Raso’s Awake is bad. But at least it’s so bad that it’s often ludicrously laughable: Netflix may well have a cult turkey on its hands.

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