For 29 reviews, this critic has graded:
  • 55% higher than the average critic
  • 10% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 8.3 points lower than other critics. (0-100 point scale)

Ed Power's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 80 The Colour Room
Lowest review score: 20 Blackbird
Score distribution:
  1. Positive: 11 out of 29
  2. Negative: 5 out of 29
29 movie reviews
    • 76 Metascore
    • 80 Ed Power
    Most impressively of all, Peppiatt captures the raw power of a great rap song. Hard-punching and cheerfully riotous, the film directs a well-placed kick at the nether regions to anyone who insists music, politics and cinema cannot mix.
    • 77 Metascore
    • 80 Ed Power
    The vast mournfulness of northern Jutland is wonderfully evoked by Arcel. Yet his true fascination is with Mikkelsen’s weathered face – every crevice and cranny is lingered over obsessively.
    • 53 Metascore
    • 80 Ed Power
    For all the stodginess, the action is dynamic – often shockingly gory – and enthusiastically marshalled by David Ayer.
    • tbd Metascore
    • 80 Ed Power
    This agreeable film pushes past the stereotype of Blunt as the second coming of Chris de Burgh and delivers an affecting portrait of a posh pop star who has endured a lifetime of vitriol.
    • 63 Metascore
    • 80 Ed Power
    For giddy gore-hounds, Roth’s Thanksgiving is a bloody feast to savour.
    • 84 Metascore
    • 80 Ed Power
    It is a valentine to the kind of innocent adolescence that modern teenagers will never have a chance to experience.
    • 76 Metascore
    • 80 Ed Power
    Berger’s evocation of war and its horrors ultimately connects not at an intellectual level but where it truly matters: in the gut.
    • tbd Metascore
    • 80 Ed Power
    For all the contrivances, it’s hard to deny the Colour Room’s charms. Ceramics are cold to the touch and shatter easily – but this film is gooey and generous and sure to impart a warm glow.
    • 82 Metascore
    • 80 Ed Power
    Sacks, humble and charming to the end, makes for such agreeable company that it’s hard to object to the hyperbole.
    • 62 Metascore
    • 80 Ed Power
    Levy ultimately wants to yank the heart-strings more than poke the grey matter. And as Free Guy breaks free from his programming and explores the world on its own terms, the film has lots to say about loyalty, friendship and love.
    • 55 Metascore
    • 80 Ed Power
    In a classic Brit-com flanking manoeuvre, the film tries to simultaneously reduce the viewer to tears while inviting us to bask in the fuzzy glow of our friends and neighbours’s innate decency. Luckily it succeeds, thanks in no small part to the commitment shown by Horgan and Scott Thomas.

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