Ed Power

It’s a breezy watch with nothing insightful to impart about the group or their impact on society. But it is guided by the implicit understanding that any project about the Beatles will inevitably find an audience – and that is an itch it undeniably scratches.

Will & Harper has laudable aims but suffers from a baggy, shaggy structure.

Atlas is a preposterous rollercoaster directed in workmanlike fashion by Brad Peyton (San Andreas, Rampage). However, it is helped hugely by the fact that Lopez (a co-producer) takes it all so seriously.

Kevin Hart just about gets by. but Netflix's heist thriller falls down thanks to its terrible CGI, nonsensical plot and mismatched casting.

It could have been one more late-career hurrah by Fonda and her fellow screen greats. Instead, 80 For Brady flubs the touchdown.

Still, there is no denying that the film clicks up a gear when he’s on screen. He says nothing and his motives have not moved beyond “kill, kill, kill”. But he is one of horror’s true stars and, if Halloween Ends often sluggish and silly, Myers powers through the mediocrity one brutal swipe at a time.

With Statham literally riding shotgun, Ritchie has binned any pretence at subtlety and goes back to basics with an bullet-strewn romp that kicks down the door first and asks questions later. And which is, in the end, nothing more than an excuse for its star to punch as many villains as possible.

Despite its ambitious goal of transposing a dystopian classic to the modern “Young Adult” genre, Voyagers is ultimately about as effective as a leaky space-suit.

The conclusion the directors reach could have come from any of the other Spears films

If it sounds insane on paper, the film is even more bizarre up on the screen. Demonstrating considerable skill as a director, Young gives the action an eerie, artificial sheen.

Forty-three years on, the Cassandra Crossing has aged as only a terrible Seventies movie can. And yet, with its killer virus plot, it has suddenly acquired a horribly relevancy. Four-decades old and creaky even at the time, this five-star clunker nonetheless feels ripped from tomorrow’s headlines.