For 74 reviews, this critic has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

Ed Frankl's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 A War
Lowest review score: 20 Fifty Shades of Grey
Score distribution:
  1. Positive: 49 out of 74
  2. Negative: 3 out of 74
74 movie reviews
    • 83 Metascore
    • 80 Ed Frankl
    The film is both a biography of Cave's life and a beguiling vision of a musician considering the meaning of his own art.
    • 57 Metascore
    • 60 Ed Frankl
    When push comes to shove, A Walk Among the Tombstones carries its B-movie thrills with aplomb.
    • 58 Metascore
    • 60 Ed Frankl
    Even if Murdoch's directorial style is at times off-putting - the dance routines oscillating wildly from charming to naff - it's hard not to be taken in by trips into Glasgow's backstreet gig venues and the type of Victorian splendour seen on screen too rarely.
    • 66 Metascore
    • 60 Ed Frankl
    For the most part, Dinosaur 13 is highly absorbing - some of the decisions that come against Larson are truly shocking - but it does lack in places as a piece of documentary journalism.
    • 32 Metascore
    • 20 Ed Frankl
    Does Michael Bay fit the criteria of an auteur? He certainly has his own line of distinctive tropes: the migraine-inducing noise, the fetishistic gloss, the playground-bully characters elevated to hero status and a fervently male gaze.
    • 44 Metascore
    • 60 Ed Frankl
    So much is thrown at the wall that some of it's got to stick - comedy for comedy's sake, if you will - and while that doesn't make for a great film necessarily, it certainly doesn't make for a bad one.
    • 89 Metascore
    • 80 Ed Frankl
    In his signature style, without talking heads, narration or explanatory context, Wiseman takes us straight into the London gallery itself and the inhabitants inside - both human and paint-form.
    • 64 Metascore
    • 60 Ed Frankl
    Nothing quite competes with the blistering opening scene, but The Salvation's cast of characters mean it's never less than a fun watch.
    • 82 Metascore
    • 83 Ed Frankl
    This is a richly rewarding film, packed with ideas and riddles, that will surely benefit from repeat viewings.
    • 71 Metascore
    • 83 Ed Frankl
    This grueling, pulsating, in-your-face film–almost to a fault–has ferocious power, but it’s going to divide like a fissure.
    • 91 Metascore
    • 91 Ed Frankl
    The film’s opening quirky comedy routines give way to something much richer––a startlingly observant, sharp, romantic, provocative, and poignant view of millennial culture and how life comes at you fast.
    • 74 Metascore
    • 75 Ed Frankl
    Bispuri challenges us to do away with conventional notions of what a perfect mother should be.
    • 65 Metascore
    • 75 Ed Frankl
    The surprise winner of the Berlinale’s Golden Bear is a film not easily summed up in an elevator pitch. It is, however, a studious, intelligent, if flawed and scattershot, work with an open mind about modern sexuality and intimacy. That open mind will need to be replicated in the audience too.
    • 38 Metascore
    • 42 Ed Frankl
    Eva
    Benoit Jacquot’s preposterous erotic thriller is rarely erotic and never thrills.

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