For 21 reviews, this critic has graded:
  • 23% higher than the average critic
  • 4% same as the average critic
  • 73% lower than the average critic
On average, this critic grades 14.8 points lower than other critics. (0-100 point scale)

Dylan Roth's Scores

  • Movies
  • TV
Average review score: 51
Highest review score: 88 Anora
Lowest review score: 25 Deadpool & Wolverine
Score distribution:
  1. Positive: 8 out of 21
  2. Negative: 9 out of 21
21 movie reviews
    • 91 Metascore
    • 88 Dylan Roth
    Like Mikey Madison’s title character, Anora is pretty, messy, witty, wild, and highly competent, one of the funniest, saddest, and best films of the year.
    • 85 Metascore
    • 75 Dylan Roth
    Black Bag is light, unpretentious entertainment for grown-ups, a solid 90 minutes of pure, mostly bloodless fun.
    • 78 Metascore
    • 75 Dylan Roth
    I can sympathetically and intellectually appreciate just how rare it is to see a wacky comic-book movie about growing up trans and finding yourself and your people, about coping with a repressive parent who takes your gender dysphoria as a personal affront, of struggling to build a healthy relationship when so many of your peers are similarly traumatized by a society that is hostile to their very existence.
    • 68 Metascore
    • 75 Dylan Roth
    A Quiet Place: Day One is a surprisingly tender and moving film that uses the franchise’s alien apocalypse to tell its own, very different story.
    • 66 Metascore
    • 75 Dylan Roth
    Kingdom provides a rock-solid foundation for a new series of Apes films, leaving the titular planet with its most interesting status quo to date.
    • 64 Metascore
    • 75 Dylan Roth
    It’s a shallower product than either of its inspirations, but it also has its own, distinct energy. It doesn’t totally jettison the franchise’s 45 years of baggage, but when it does, what’s left is a damn good monster movie.
    • 64 Metascore
    • 63 Dylan Roth
    Though it’s a neat throwback that features a few memorable performances, MaXXXine imitates its period setting a little too well, prioritizing style and adding little substance to the series.
    • 61 Metascore
    • 63 Dylan Roth
    It’s both a pretty good post-Kevin Williamson slasher movie and a pretty good post-Nora Ephron studio romcom. The finished recipe isn’t much more than the sum of its ingredients, but when one of those ingredients is in such short supply, the result is some welcome — if blood-splattered — comfort food.

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