For 256 reviews, this critic has graded:
  • 75% higher than the average critic
  • 0% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 5.8 points higher than other critics. (0-100 point scale)

Drew McWeeny's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 0 The Brothers Grimsby
Score distribution:
  1. Negative: 24 out of 256
256 movie reviews
    • 32 Metascore
    • 67 Drew McWeeny
    Age Of Extinction more than delivers on whatever promises Bay makes to an audience at this point. Giant robots. Giant mayhem. Destruction on a global scale. You know what you're in for if you buy a ticket, and Bay seems determined to wear you down with the biggest craziest Transformers movie yet.
    • 32 Metascore
    • 58 Drew McWeeny
    Warcraft errs in how much it asks the audience to juggle, and as a result, the things that the film does well (and I think there are many) are muffled somewhat.
    • 31 Metascore
    • 58 Drew McWeeny
    It helps that Gelb shoots this less like a horror film and more like a drama. When the film does finally kick into overt horror, it becomes more familiar and less overall effective.
    • 31 Metascore
    • 25 Drew McWeeny
    It would be a lot easier to give the film a soft pass if it wasn't so aggressively lazy.
    • 30 Metascore
    • 0 Drew McWeeny
    It is a staggeringly bad film, made up of lots of faulty pieces.
    • 30 Metascore
    • 75 Drew McWeeny
    Kill Me Three Times is a confident smaller film, and if you enjoy this sort of chess game with bullets, you'll probably get a kick out of it, and for Pegg fans, it's pretty much continuous pleasure throughout.
    • 30 Metascore
    • 25 Drew McWeeny
    Stonewall is the anti-"Selma," a movie that not only fails to fully capture the energy and importance of a true event but that fails so completely as a film that it is almost impressive.
    • 30 Metascore
    • 0 Drew McWeeny
    It is a singularly unpleasant experience, not because it is scary or extreme or even interesting. It is unpleasant because it is a dull story filled with characters that are so poorly drawn as to be forgettable even while you're watching them.
    • 30 Metascore
    • 42 Drew McWeeny
    The script by Luke Greenfield and Nicholas Thomas makes too many easy choices, and it simply doesn't work in terms of maintaing credible audience sympathy.
    • 30 Metascore
    • 58 Drew McWeeny
    To the bitter end, the series manages to wring some fun, solid scares out of something other invading something utterly familiar.
    • 29 Metascore
    • 58 Drew McWeeny
    The best moments in this film are the moments where it feels like they're just throwing jokes at the screen. The moments that are toughest are the ones where they try to create some sort of emotional beat, because the moment we're supposed to invest in these guys at all, the movie crumbles.
    • 29 Metascore
    • 25 Drew McWeeny
    Walking out of the film, I might have given it a C+ or a C based purely on the fumes of Murray's better work that are present here, but the more I've thought about it, the more infuriating it is to see something this lazy and familiar from Murray at this point.
    • 27 Metascore
    • 25 Drew McWeeny
    I think Sandler's miscasting leads to a real deficit of energy at the center of the film, and then the conceptual misfire is so dire that I just don't know what to say beyond that.
    • 27 Metascore
    • 50 Drew McWeeny
    Neither the disaster the fanboy nation seems to be itching to attack nor a significant improvement over the Tim Story movies, Fantastic Four seems doomed to please no one.
    • 26 Metascore
    • 42 Drew McWeeny
    Taken 3 is formula filmmaking at its most formulaic, a film that exists only because it makes sense financially.
    • 25 Metascore
    • 25 Drew McWeeny
    I don't think Strange Magic is terrible movie, but it is a very weird one in many ways, and perhaps the most bizarre thing about it is realizing that we finally have a fairy tale written expressly for the age of date rape drugs.

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