Drew Hunt

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Slant Magazine
For 52 reviews, this critic has graded:
  • 25% higher than the average critic
  • 1% same as the average critic
  • 74% lower than the average critic
On average, this critic grades 22.7 points lower than other critics. (0-100 point scale)

Drew Hunt's Scores

  • Movies
  • TV
Average review score: 43
Highest review score: 75 The Fool
Lowest review score: 12 Return to Nuke 'Em High Volume 1
Score distribution:
  1. Positive: 17 out of 52
  2. Mixed: 4 out of 52
  3. Negative: 31 out of 52
52 movie reviews
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    • 75 Metascore
    • 50 Drew Hunt
    The Punk Singer
    Sini Anderson's film may be another unimaginative fan letter, but at least Kathleen Hannah is worthy of such devotion.
    • 63 Metascore
    • 63 Drew Hunt
    Weekend of a Champion
    The film is at its most fascinating when Jackie Stewart authoritatively and pedagogically discusses the nuances of his trade.
    • 31 Metascore
    • 75 Drew Hunt
    A Perfect Man
    In its elliptical presentation of its characters' lives, brings to mind the latter-day films of Philippe Garrel, but Kees Van Oostrum's genre experimentation aligns him with Paul Verhoeven.
    • 17 Metascore
    • 12 Drew Hunt
    I Will Follow You Into the Dark
    A moralistic ending is telegraphed from the beginning and routinely fulfilled by the end, rendering the rest of this trite, visually unappealing mess virtually worthless.
    • 19 Metascore
    • 25 Drew Hunt
    The Ultimate Life
    Its thinly veiled message of social conservatism and religious affirmations as the pathway to an ideal life is delivered with all the predigested sentimentality of a Hallmark card.
    • 49 Metascore
    • 50 Drew Hunt
    Devil's Pass
    As Renny Harlin's career progresses, it seems more and more that his early gems were merely happy accidents.
    • 44 Metascore
    • 25 Drew Hunt
    Blood
    Themes of family ties, obsession, and morality, so dramatically realized in Conviction, are gracelessly and shapelessly strewn together here.
    • 62 Metascore
    • 63 Drew Hunt
    Grabbers
    Good, clean genre entertainment, the sort of harmless yet endearing brand of moviemaking seemingly unattainable in today's Hollywood system.
    • 77 Metascore
    • 75 Drew Hunt
    A Band Called Death
    The film is made impetuously watchable and disarmingly emotional by the filmmakers' strong command of docudrama and nonfiction narrative style.
    • 70 Metascore
    • 75 Drew Hunt
    More Than Honey
    Markus Imhoof's film reveals itself as a curious, audacious mix of personal essay film and nature documentary.
    • 25 Metascore
    • 25 Drew Hunt
    Hatchet III
    BJ McDonnell, too hesitant to stray from the beaten path set by Green's previous films, lacks the looser, more whimsical hand that would have allowed Hatchet III to transcend its thoughtlessly imitative state.
    • 44 Metascore
    • 38 Drew Hunt
    Rapture-Palooza
    Its views on organized religion are so halfhearted and perfunctory as to make Kevin Smith's Dogma seem like a veritable master's class in theistic studies.
    • 32 Metascore
    • 75 Drew Hunt
    The Rambler
    Sinister, comical, aggravating, and audacious, Calvin Lee Reeder's film is nothing short of an affront.
    • 46 Metascore
    • 63 Drew Hunt
    American Mary
    The filmmakers certainly exaggerate (i.e. exploit) their subject, but for a community that prides itself on shock value, there seems no sufficient alternative.
    • 71 Metascore
    • 63 Drew Hunt
    Doin' It in the Park: Pick-Up Basketball, NYC
    Perhaps the first important film about street hoops, even if the overall product struggles from a lack of focus.
    • 63 Metascore
    • 63 Drew Hunt
    Elemental
    More than some run-of-the-mill social-awareness doc, the film pays as much attention to the personal and emotional strife of its subjects as it does to their activism.
    • 26 Metascore
    • 38 Drew Hunt
    No One Lives
    Ryuhei Kitamura's latest genre bloodbath is par for the course, in spite of the occasionally flourish of interesting subtext.
    • 49 Metascore
    • 38 Drew Hunt
    One Track Heart: The Story of Krishna Das
    The overall product doesn't reveal anything about its subject that a Wikipedia page couldn't do just as well.
    • 15 Metascore
    • 25 Drew Hunt
    Once Upon a Time in Brooklyn
    As far as derivative crime sagas go, Paul Borghese's film might represent the new gold standard of shameless barrel-scraping.
    • 29 Metascore
    • 25 Drew Hunt
    1st Night
    The political dynamic that underpins The Rules of the Game is nonexistent in 1st Night, which is fixated entirely on the zany sexcapades of its characters.
    • 76 Metascore
    • 75 Drew Hunt
    This Ain't California
    While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.
    • 85 Metascore
    • 75 Drew Hunt
    Stranger Things
    Eleanor Burke and Ron Eyal's film is a tasteful, well-orchestrated drama that never reaches beyond its humble means.
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