Drew Hunt

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Slant Magazine
For 52 reviews, this critic has graded:
  • 25% higher than the average critic
  • 1% same as the average critic
  • 74% lower than the average critic
On average, this critic grades 22.7 points lower than other critics. (0-100 point scale)

Drew Hunt's Scores

  • Movies
  • TV
Average review score: 43
Highest review score: 75 The Fool
Lowest review score: 12 Return to Nuke 'Em High Volume 1
Score distribution:
  1. Positive: 17 out of 52
  2. Mixed: 4 out of 52
  3. Negative: 31 out of 52
52 movie reviews
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    • 40 Metascore
    • 25 Drew Hunt
    Last Weekend
    The filmmakers are content to idealize everyone's unchecked narcissism and idle privilege--an inquiry-free recipe for disaster in an age when the American wealth gap is wider and more detrimental than ever.
    • 15 Metascore
    • 25 Drew Hunt
    Once Upon a Time in Brooklyn
    As far as derivative crime sagas go, Paul Borghese's film might represent the new gold standard of shameless barrel-scraping.
    • 37 Metascore
    • 50 Drew Hunt
    Black Out
    The film's various references to other stylistic touchstones, while thematically apt, rarely carry any sort of critical inquiry.
    • 36 Metascore
    • 38 Drew Hunt
    Lucky Bastard
    In the end, considering the numerous ways the film goes limp, it seems credibility still eludes the found-footage genre.
    • 35 Metascore
    • 38 Drew Hunt
    The Wedding Ringer
    This big, brash, occasionally clever, but mostly dumb comedy is so gallingly derivative that watching it feels like playing a game of basic-cable bingo.
    • 34 Metascore
    • 25 Drew Hunt
    Get Hard
    The filmmakers largely stand out of Will Ferrell and Kevin Hart's way, but they also refuse to modulate the story's racial humor with any sense of subversion.
    • 32 Metascore
    • 38 Drew Hunt
    Regression
    It spends a lot of time considering the fear of knowing, which may explain why Alejandro Amenábar didn’t seem to know what kind of film he was making.
    • 32 Metascore
    • 75 Drew Hunt
    The Rambler
    Sinister, comical, aggravating, and audacious, Calvin Lee Reeder's film is nothing short of an affront.
    • 31 Metascore
    • 75 Drew Hunt
    A Perfect Man
    In its elliptical presentation of its characters' lives, brings to mind the latter-day films of Philippe Garrel, but Kees Van Oostrum's genre experimentation aligns him with Paul Verhoeven.
    • 31 Metascore
    • 25 Drew Hunt
    The Road Within
    The film's tired sentimentality aside, its general lack of empathy is most damning.
    • 31 Metascore
    • 25 Drew Hunt
    A Fantastic Fear of Everything
    Strands of Simon Pegg's amiable persona are found in the film's more tolerable bits, but even this seasoned vet's unique voice is lost amid the glut of references to other work.
    • 29 Metascore
    • 25 Drew Hunt
    1st Night
    The political dynamic that underpins The Rules of the Game is nonexistent in 1st Night, which is fixated entirely on the zany sexcapades of its characters.
    • 28 Metascore
    • 25 Drew Hunt
    Supremacy
    The characters shout themselves hoarse, but they don't really say anything, and it isn't long before we feel like hostages ourselves, bound by the filmmakers' strained moral outrage.
    • 28 Metascore
    • 38 Drew Hunt
    Hangar 10
    It's easy to see how Daniel Simpson's desire to return the found-footage genre to its roots resulted in cheap imitation.
    • 26 Metascore
    • 12 Drew Hunt
    Reclaim
    Reclaim's highly mechanized plot ensures that the film is over before it even ends.
    • 26 Metascore
    • 38 Drew Hunt
    No One Lives
    Ryuhei Kitamura's latest genre bloodbath is par for the course, in spite of the occasionally flourish of interesting subtext.
    • 25 Metascore
    • 25 Drew Hunt
    Hatchet III
    BJ McDonnell, too hesitant to stray from the beaten path set by Green's previous films, lacks the looser, more whimsical hand that would have allowed Hatchet III to transcend its thoughtlessly imitative state.
    • 25 Metascore
    • 25 Drew Hunt
    Gods of Egypt
    Its virtues as throwback don't elide the foolhardly decision to imprint an ancient mythology on a contemporary superhero framework.
    • 22 Metascore
    • 25 Drew Hunt
    Dark House
    The film's dialogue is knowing and the action sequences are elaborate, but not only in ways that advance the shady story toward its hokey denouement.
    • 21 Metascore
    • 25 Drew Hunt
    The Angriest Man in Brooklyn
    Robin Williams once again proves he can insufferably crank the energy to 11 without batting an eye, only this time his frenzied comic demeanor is replaced with equally harried contempt.
    • 19 Metascore
    • 25 Drew Hunt
    The Ultimate Life
    Its thinly veiled message of social conservatism and religious affirmations as the pathway to an ideal life is delivered with all the predigested sentimentality of a Hallmark card.
    • 17 Metascore
    • 12 Drew Hunt
    I Will Follow You Into the Dark
    A moralistic ending is telegraphed from the beginning and routinely fulfilled by the end, rendering the rest of this trite, visually unappealing mess virtually worthless.
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