Dominick Suzanne-Mayer

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Consequence
For 194 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Dominick Suzanne-Mayer's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 American Honey
Lowest review score: 0 Hillary's America: The Secret History of the Democratic Party
Score distribution:
  1. Positive: 124 out of 194
  2. Mixed: 40 out of 194
  3. Negative: 30 out of 194
194 movie reviews
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    • 76 Metascore
    • 83 Dominick Suzanne-Mayer
    Lo and Behold: Reveries of the Connected World
    If Lo and Behold is more just a collection of interviews on a series of themes than a cohesive piece of storytelling, it’s still a fascinating endeavor into how the Internet went from personal to unimaginably broad and how it could either continue to expand or perhaps even return to that infant phase again.
    • 75 Metascore
    • 67 Dominick Suzanne-Mayer
    Kate Plays Christine
    Much of Kate Plays Christine is more of a form exercise than it is a documentary portrait, which works to both the film’s benefit and detriment.
    • 55 Metascore
    • 42 Dominick Suzanne-Mayer
    The Fundamentals of Caring
    It’s true that few movies are this aw-shucks nice these days, and for a short while The Fundamentals of Caring finds ways of retaining that kindness without lapsing into platitudes.
    • 78 Metascore
    • 75 Dominick Suzanne-Mayer
    Indignation
    Indignation resonates at times with the tension of things said and unsaid, regretted and forgotten.
    • 60 Metascore
    • 75 Dominick Suzanne-Mayer
    Dark Night
    There are moments of true terror to be found among the silence and the encroaching existential dread in which the film deals most prominently.
    • 64 Metascore
    • 58 Dominick Suzanne-Mayer
    Miles Ahead
    In fits and starts, the film matches the fire of its lead performance. Miles Ahead is far from a traditional, boilerplate music biopic, for better and worse alike.
    • 91 Metascore
    • 91 Dominick Suzanne-Mayer
    Son of Saul
    At times, László Nemes’ film induces the sensation of drowning, slowly. Not the kind where you’re pulled under by the riptide, but the kind where you’ve been treading water for so long that the body starts to betray you in tiny increments, and any life preserver must be met with utter desperation.
    • 39 Metascore
    • 25 Dominick Suzanne-Mayer
    Don Verdean
    Don Verdean is the sort of comedy which presumes its own hilarity long before it gets around to telling any actual jokes, or staging anything that might otherwise be considered funny.
    • 64 Metascore
    • 83 Dominick Suzanne-Mayer
    Youth
    Unlike in some of the filmmaker’s past work, however, Youth foregrounds the performance over the spectacle; Keitel turns in some of his finest work in years as the aging, fiery Mick, and Caine delivers a performance composed of untold multitudes.
    • tbd Metascore
    • 75 Dominick Suzanne-Mayer
    Cronies
    For a film where not much ultimately happens, per se, Cronies is a thoughtful reflection on nostalgia and how the sins of the past affect the present.
    • 55 Metascore
    • 91 Dominick Suzanne-Mayer
    They Live
    The terrors put forth by the film are at once specific to the era of its production and timeless in their direct connection to the American experience.
    • 87 Metascore
    • 100 Dominick Suzanne-Mayer
    Rushmore
    There’s a lot of depth to Rushmore, but lingering in those depths for too long does a disservice to how consistently funny it also is.
    • 82 Metascore
    • 100 Dominick Suzanne-Mayer
    Dazed and Confused
    Like so much of Linklater’s best work, the film is profound through its being deliberately unassuming. It’s sincere without being dopey, honest without being mean, optimistic without being oblivious of how hard the future can be.
    • 59 Metascore
    • 91 Dominick Suzanne-Mayer
    True Romance
    True Romance is for the most part a delightful relic of its era.
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