Dom Sinacola

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Paste Magazine
For 71 reviews, this critic has graded:
  • 57% higher than the average critic
  • 8% same as the average critic
  • 35% lower than the average critic
On average, this critic grades 5.8 points higher than other critics. (0-100 point scale)

Dom Sinacola's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 91 Mandy
Lowest review score: 30 Home Sweet Home Alone
Score distribution:
  1. Positive: 52 out of 71
  2. Mixed: 16 out of 71
  3. Negative: 3 out of 71
71 movie reviews
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    • 82 Metascore
    • 80 Dom Sinacola
    Isle of Dogs
    As much as the movie is an enrapturing, sometimes overwhelming experience, filled with passion and hard work and adoration for the impossible task of making such a singular movie at all, Anderson and his animation team find the film’s soul in these dog’s eyes.
    • 53 Metascore
    • 59 Dom Sinacola
    Red Sparrow
    Lawrence (and his star, Jennifer Lawrence) want to leave no doubt that this is the lurid, infuriating stuff of the adult-minded, drenched in sophistication and pain—much like Lawrence’s dystopic vision for The Hunger Games, only anchored in the hyperreal world of the New Cold War we may be starting to realize isn’t “new” at all.
    • 88 Metascore
    • 82 Dom Sinacola
    Black Panther
    Black Panther might be the first MCU film that could claim to most clearly be an expression of a particular director’s voice.
    • 60 Metascore
    • 79 Dom Sinacola
    Like Me
    Gorgeous and gross in equal measure, propelled by the sense that anything could happen, Like Me is a visual feast.
    • 59 Metascore
    • 59 Dom Sinacola
    Mom and Dad
    None of it ever escalates past a baseline of digestible insanity, which isn’t really all that insane when the pasts of Cage and Taylor are littered with the skeletons of seedier films and more preposterous premises.
    • 49 Metascore
    • 41 Dom Sinacola
    Den of Thieves
    Den of Thieves is such a dumb misunderstanding of the genres in which it plays, such a loud, interminable shart of unmitigated machismo, such a heavy-handed rip-off of Heat and The Usual Suspects and even Ocean’s Eleven (and maybe even The Fast and the Furious, but for scumbags) that it feels anachronistic on arrival, the kind of melodramatic, pulpy studio action flick that doesn’t get made anymore because it shouldn’t.
    • 75 Metascore
    • 77 Dom Sinacola
    Darkest Hour
    It’s a beautiful thing, Wright’s film, an act of historical tension made with the grandest of ambitions tempered by the most careful of portrayals—precise in its bloat and fearless in its fantasy—a reminder today of what makes for actual leadership in a world exhausted by flummoxed white men with sound and fury, signifying nothing.
    • 45 Metascore
    • 50 Dom Sinacola
    Justice League
    Justice League may be a more functional film that its predecessors, but it also lacks the style and go-for-broke big ideas that made Batman v Superman such a fascinating shitshow.
    • 83 Metascore
    • 81 Dom Sinacola
    Rat Film
    Anthony’s is the rare film that thrives in its parts rather than in the sum of them, though the sum is breathlessly simple, to the extent that one wonders why no film has ever connected the lines—lined up the parallels—as Anthony has.
    • 81 Metascore
    • 84 Dom Sinacola
    Blade Runner 2049
    Blade Runner 2049 should resonate deeply with anyone who’s ever held love for the original.
    • 69 Metascore
    • 70 Dom Sinacola
    Dayveon
    It’s only in Dayveon’s final act that plot contrivances begin to wander away from Abbasi’s carefully calibrated realism.
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