Diego Semerene

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For 299 reviews, this critic has graded:
  • 37% higher than the average critic
  • 3% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 8.9 points lower than other critics. (0-100 point scale)

Diego Semerene's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Tomboy
Lowest review score: 0 The Roads Not Taken
Score distribution:
299 movie reviews
    • 34 Metascore
    • 50 Diego Semerene
    The tension between the amateurish interviewer and the star interviewees gives the documentary a layer of authenticity that its otherwise formulaic structure and storytelling fail to find.
    • 51 Metascore
    • 63 Diego Semerene
    At the very least, The Pill could have been a pleasant exercise in screenwriting sharpness if Fred and Mindy's situation had been confined and (un-)resolved within the confines of its very promising first scene.
    • 37 Metascore
    • 75 Diego Semerene
    W.E.'s is a kind of dynamic pleasure that allows for non-shameful identification with the feminine and a fantasy of becoming what we see.
    • tbd Metascore
    • 50 Diego Semerene
    While The First Rasta never goes beyond the surfaces of conventional documentary making of the most average kind, its reticence becomes whimsical every time the elderly interviewees break into song soon after reminiscing.
    • 65 Metascore
    • 75 Diego Semerene
    What's easy to appreciate in the documentary, however, is the way it reassembles the Dzi Croquettes' trajectory without polishing off its jagged edges. It's through their brilliance and their flaws that they become muses.
    • 74 Metascore
    • 100 Diego Semerene
    Tomboy is one of those little big films whose simplicity and concision suggest the excess of meaning that language (cinematic or otherwise) could never account for.
    • 71 Metascore
    • 88 Diego Semerene
    Elite Squad: The Enemy Within is pure pedagogic bliss.
    • 58 Metascore
    • 75 Diego Semerene
    Rampling is very much aware of the camera's every intention and possibility. Perhaps too aware, like the kind of over-educated narcissist for whom real spontaneity is too costly a risk.
    • 67 Metascore
    • 75 Diego Semerene
    An over-the-top Russian musical about hipsters set in 1950s Moscow, where getting a non-pastel-colored tie is a mafia-mediated operation and a saxophone is considered a concealed weapon? Yes, please.
    • 47 Metascore
    • 50 Diego Semerene
    Cargo can feel like a "film about human trafficking" from beginning to end.
    • 39 Metascore
    • 0 Diego Semerene
    I'm not sure what part of Snowmen doesn't scream completely inappropriate, sentimental Manichean drivel.

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