For 77 reviews, this critic has graded:
  • 70% higher than the average critic
  • 6% same as the average critic
  • 24% lower than the average critic
On average, this critic grades 6.6 points higher than other critics. (0-100 point scale)

Diana Clarke's Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 100 Hooligan Sparrow
Lowest review score: 10 Jewtopia
Score distribution:
  1. Positive: 58 out of 77
  2. Negative: 3 out of 77
77 movie reviews
    • 64 Metascore
    • 60 Diana Clarke
    The most fascinating moments in Hieronymous Bosch come from art historians once they’ve turned to the work of history: creating meaning and context, wrestling with these questions. The film renders this conversation beautifully, and in moments begins to feel urgent in spite of itself.
    • 68 Metascore
    • 60 Diana Clarke
    Even when it's ruining lives, bureaucracy is boring. And Indian Point, Ivy Meeropol's new documentary about a nuclear power plant of that name, is riddled with tiresome bureaucratic wrangling at local and national levels.
    • 66 Metascore
    • 60 Diana Clarke
    By glamorizing struggle and ideology across the Israeli-Jewish political spectrum, it once more invites identification with only half of those locked in the conflict Rabin was trying to solve.
    • 72 Metascore
    • 60 Diana Clarke
    The film is undeniably compelling, and the fury and protest with which women across India responded to Singh's murder was explosive.... Yet there's something worrisome in the sensationalist tone.
    • tbd Metascore
    • 50 Diana Clarke
    The short documentary On Beauty is all surfaces, skimming, lightness, flash.
    • 54 Metascore
    • 60 Diana Clarke
    This strange, quiet film takes social narratives about romance and gender and upends them, often seeming like one thing until it's another.
    • 59 Metascore
    • 60 Diana Clarke
    Fowler's work is bureaucratic, institutional, Western-focused. Which shouldn't matter, because it's good work, but as a story of salvation it feels too familiar.
    • 50 Metascore
    • 40 Diana Clarke
    For a film whose central motif is dance, there's remarkably little dancing done onscreen, and though Rowland and her co-star share moments of tender, revealing conversation, the movie is ultimately underwhelming, its emotional range as limited as that of its characters.
    • 33 Metascore
    • 60 Diana Clarke
    It's too rare for movies to depict women working together as friends to effect political change, and this one makes it seem righteous, loud, and fun as a rock concert. Free the Nipple won't change the conversation, but it might help start one.
    • tbd Metascore
    • 60 Diana Clarke
    The documentary can sometimes feel like a video game, with cartoonish pinging graphics, but the real-life consequences of digital activity, from arrests to CIA monitoring and a total lack of privacy for ordinary citizens, heighten its stakes.
    • 59 Metascore
    • 60 Diana Clarke
    With the facts so poignant, there's little that needs dramatizing.
    • 67 Metascore
    • 60 Diana Clarke
    Because the battle for legalization is still being fought in most other states, the lack of an up-to-date perspective is frustrating.
    • 55 Metascore
    • 60 Diana Clarke
    Driving both the filmmaker and her subjects is wonder and wanderlust. Their enthusiasm for the Camino is contagious, and it might make you drop everything and head for Spain.
    • tbd Metascore
    • 40 Diana Clarke
    This very serious film sometimes feels like a farce.
    • 63 Metascore
    • 60 Diana Clarke
    Harris is wistful, funny, and articulate about his romantic neuroses and insecurities... Unfortunately, he sometimes fails to go deeper.
    • 86 Metascore
    • 60 Diana Clarke
    There's never enough information.

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