For 224 reviews, this critic has graded:
  • 66% higher than the average critic
  • 1% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Desmond Ryan's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Trolösa
Lowest review score: 25 Tales from the Crypt: Demon Knight
Score distribution:
  1. Negative: 26 out of 224
224 movie reviews
    • 67 Metascore
    • 75 Desmond Ryan
    Apart from the patness of its conclusion, the main weakness in Edge of Seventeen is a question of balance. The women in the movie - Angie, Maggie and Eric's mother - are strongly acted and better drawn than the protagonist. Even so, candor and accuracy give Edge of Seventeen an edge over many other contenders in the field. [03 Sep 1999, p.03]
    • Philadelphia Inquirer
    • 67 Metascore
    • 63 Desmond Ryan
    A picture that's pleasantly forgettable.
    • 66 Metascore
    • 75 Desmond Ryan
    Transports us to a world that still had a capacity for awe, and that's the core of its charm.
    • Philadelphia Inquirer
    • 66 Metascore
    • 75 Desmond Ryan
    Little gem of a movie.
    • Philadelphia Inquirer
    • 66 Metascore
    • 75 Desmond Ryan
    Forget the end and there is much to enjoy here.
    • Philadelphia Inquirer
    • 66 Metascore
    • 75 Desmond Ryan
    Cobb is an ironic and telling look at the machinery of myth-making and the chasm that can exist between image and reality. It is enriched by going further - into the impact on the relationship of two very different men. [13 Jan 1995, p.05]
    • Philadelphia Inquirer
    • 66 Metascore
    • 75 Desmond Ryan
    Suave, witty and wonderfully acted ensemble piece.
    • Philadelphia Inquirer
    • 65 Metascore
    • 63 Desmond Ryan
    Faces, torsos and other parts of the human anatomy go into gory meltdown in Abel Ferrara's Body Snatchers. But his remake of of a sci-fi classic that already has been brilliantly remade leaves you wondering why he wasn't willing to go out on a limb. [18 Feb 1994, p.04]
    • Philadelphia Inquirer
    • 65 Metascore
    • 75 Desmond Ryan
    In effect, The Client is a clever and pliant variation on the classic Hitchcock situation that puts a kid, instead of an adult, between the authorities and villainous criminals.
    • 65 Metascore
    • 63 Desmond Ryan
    A fascinating but flawed work that demonstrates that, contrary to popular wisdom, great minds do not think alike.
    • 64 Metascore
    • 75 Desmond Ryan
    Delightfully reflect the abandonment of the old image and way of life.
    • Philadelphia Inquirer
    • 64 Metascore
    • 63 Desmond Ryan
    An honest, plainspoken and unsentimental movie.
    • 64 Metascore
    • 63 Desmond Ryan
    Defiantly different, a movie that carefully checks the pulse of its characters rather than trying to get the blood rushing.
    • 64 Metascore
    • 75 Desmond Ryan
    In Little Odessa, Gray proves that you can go down what looks like a familiar road and make it seem much less traveled. [30 June 1995, p.06]
    • Philadelphia Inquirer
    • 63 Metascore
    • 50 Desmond Ryan
    The Naked Gun 33 1/3 has the feel of a movie with too many jokes off the cutting-room floor. Through it all, Nielsen's consummate timing and ability to come through in the klutz makes things seem more amusing than they are. [18 Mar 1994, p.3]
    • Philadelphia Inquirer
    • 63 Metascore
    • 75 Desmond Ryan
    As an exploration of a man who really did take the road less traveled, the film is fascinating.
    • Philadelphia Inquirer
    • 63 Metascore
    • 75 Desmond Ryan
    Attenborough's underrated 1977 epic A Bridge Too Far fashioned an antiwar statement from the foolhardiness that stranded 35,000 paratroopers behind German lines in an attempt to take key bridges. [02 Feb 2002, p.C01]
    • Philadelphia Inquirer
    • 63 Metascore
    • 75 Desmond Ryan
    The River Wild is not a picture that tries to break new ground or even part fresh waters. Yet it is a crisp and exciting exercise, and while it may not be a watershed in Streep's career, she shows that you can take the plunge into an action movie and go swimming without going slumming. [30 Sep 1994, p.03]
    • Philadelphia Inquirer
    • 62 Metascore
    • 50 Desmond Ryan
    Illsley's fine cast, with a riotous contribution from William H. Macy as the sheriff who falls for Harry, plays out the comedy without condescension.
    • Philadelphia Inquirer
    • 62 Metascore
    • 63 Desmond Ryan
    Baird is a highly regarded editor of action films, and his debut as a director shows a sharp eye for the tensions and angles in individual scenes. But his grasp of pace is less certain, and it exposes the movie's more outlandish developments. [15 Mar 1996, p.03]
    • Philadelphia Inquirer
    • 62 Metascore
    • 63 Desmond Ryan
    There is a sequence where his four felons parody a sitdown from The Godfather that is both inept and painfully out of place. But there's enough in Set It Off to set it apart and to argue that, when it comes to putting a new spin on the inner-city heist, you're better off with the ladies. [06 Nov 1996, p.E01]
    • Philadelphia Inquirer
    • 62 Metascore
    • 75 Desmond Ryan
    A comedy of the old school. Depending on your view of the current state of screen humor, that's either a promise or a warning.
    • 62 Metascore
    • 88 Desmond Ryan
    Refreshingly gritty and hard-nosed.
    • 62 Metascore
    • 75 Desmond Ryan
    A rewarding exploration of the knotty and often contentious relationship between teacher and protege.
    • Philadelphia Inquirer
    • 62 Metascore
    • 75 Desmond Ryan
    Winterbottom also has the insight to share the novelist's suggestion that landscape can reflect and, to a degree, even shape character.
    • Philadelphia Inquirer
    • 62 Metascore
    • 63 Desmond Ryan
    Cats Don't Dance is pleasant middle-tier animation that will not cause anyone to lose sleep over at Disney. [26 Mar 1997, p.D07]
    • Philadelphia Inquirer
    • 56 Metascore
    • 63 Desmond Ryan
    A stalwart military inspirational.
    • 62 Metascore
    • 75 Desmond Ryan
    The frenzy and off-the-cuff spontaneity of live '50s TV comedy is lovingly captured, and O'Toole won a best-actor Oscar nomination. [25 Dec 1998, p.22]
    • Philadelphia Inquirer
    • 61 Metascore
    • 75 Desmond Ryan
    Robert Altman's droll 1976 deconstruction of a western icon with Paul Newman in peak form. [12 May 2001, p.E01]
    • Philadelphia Inquirer
    • 61 Metascore
    • 63 Desmond Ryan
    Achieves the rare feat of fusing tightly ratcheted suspense with intense romance.

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