For 400 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Derek Elley's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Atonement
Lowest review score: 10 Thomas and the Magic Railroad
Score distribution:
  1. Negative: 23 out of 400
400 movie reviews
    • 71 Metascore
    • 80 Derek Elley
    Bannen and the gawky Kelly, whose screen chemistry is vital to the film's success, make a delightful pair of stumbling shysters, and Jones' script weaves a sizable tapestry of other characters to flesh out the village.
    • 40 Metascore
    • 50 Derek Elley
    Not helped by a wooden perf from Jim Caviezel as a humanoid alien who accidentally imports a real alien to eighth-century Earth.
    • 71 Metascore
    • 60 Derek Elley
    Handsomely shot in widescreen, mostly on actual West Bank locations, and well-played by the cast, pic lays out the issues in an accessible but rather too over-correct way, seemingly eager to please all parties at the expense of real passion.
    • 68 Metascore
    • 70 Derek Elley
    Result is always watchable, occasionally creepy and teasingly pitched halfway between a genre riff and a genuine scarefest.
    • 82 Metascore
    • 80 Derek Elley
    A movie for the age, and a keeper for the ages, Pride & Prejudice brings Jane Austen's best-loved novel to vivid, widescreen life, as well as making an undisputed star of 20-year-old Keira Knightley.
    • 63 Metascore
    • 70 Derek Elley
    Utterly unsentimental but profoundly moving,The Way Home" is a tiny gem from South Korea.
    • 47 Metascore
    • 40 Derek Elley
    Overlong and very Euro-flavored.
    • 82 Metascore
    • 80 Derek Elley
    Engaging chemistry between leads Emmanuelle Devos and Vincent Cassel.
    • 72 Metascore
    • 60 Derek Elley
    Immaculately shot and composed as always, and moving at Ceylan's usual measured pace, this one is slightly enlivened by more likable perfs and a trim 98-minute running time.
    • 33 Metascore
    • 50 Derek Elley
    Basically a very conventional movie gussied up with a few jaw-dropping moments. Unlike genuinely amoral pics such as "Heathers" or "Shallow Grave," it never seems really comfortable with its characters' actions.
    • 48 Metascore
    • 70 Derek Elley
    Super-slick street-racing pic, based on a Nipponese manga series and set in Japan, is aimed squarely at the East Asian market, which it has conquered in spades since late June release.
    • 84 Metascore
    • 80 Derek Elley
    Picture more than delivers on the action front -- not in bang-for-your-buck spectacle but in the kind of gritty, doculike sequences that haul viewers out of their seats and alongside the main protags.
    • 62 Metascore
    • 70 Derek Elley
    Big emotional themes come hidden in a deceptively small package in Longing, a mightily impressive feature debut by German writer-director Valeska Grisebach.
    • 63 Metascore
    • 20 Derek Elley
    A 2½-hour demo of auteurist self-importance that's artistically bankrupt on almost every level.
    • 64 Metascore
    • 60 Derek Elley
    Overall tone lies somewhere between Mike Leigh and Ken Loach in performances and look, with a modest tech package.
    • 70 Metascore
    • 70 Derek Elley
    Though certainly not to everyone's tastes, this looney-tunes pic about a deranged serial killer who thinks he's helping Earth by killing off supposed aliens works on a variety of levels, from gruesome slapstick comedy through social critique to genuinely chilling Grand Guignol.
    • 57 Metascore
    • 70 Derek Elley
    The highly directed film adopts a semi-impressionistic approach more European than British in flavor, aided by a terrific central performance by Kevin McKidd and painterly lensing by John Rhodes.
    • 18 Metascore
    • 50 Derek Elley
    Cross Uncle Buck with Home Alone, stir in the Hulkster, and you've got Mr. Nanny, a gonzo comedy-actioner that should entertain the under-12 and couch-potato sets.
    • 35 Metascore
    • 20 Derek Elley
    Depressingly parochial.
    • 54 Metascore
    • 50 Derek Elley
    Boosted by a delish performance from Carrie-Anne Moss as a local vamp who helps unthaw the Englishman, but holed beneath the waterline by a gratingly miscast Sigourney Weaver as the persnickety autistic.
    • 42 Metascore
    • 40 Derek Elley
    Doesn't ring true as a love story between a cocky scam artist and a clever biology student, despite a game effort by Charlotte Ayanna in an impossible role and Adrien Brody at his loosest.
    • 77 Metascore
    • 50 Derek Elley
    What the picture most needed was a complete cinematic rethink and, yes, even some action to move it along.
    • 61 Metascore
    • 60 Derek Elley
    Too often caught between trying to be a sweeping period drama and intimate love story at the same time, with a script that's never fully satisfying on either count.
    • 70 Metascore
    • 80 Derek Elley
    A quietly subversive my-sister-is-turning-into-a-werewolf movie that doesn't wimp out at the end.
    • 60 Metascore
    • 50 Derek Elley
    Low on drama and originality, and high on deja vu, sophomore outing by writer-director Li Yang ("Blind Shaft," 2003).
    • 73 Metascore
    • 60 Derek Elley
    Davaa's strong visual sense, engaging cast and respect for basic film grammar make this slim exercise in managed reality go the distance.
    • 61 Metascore
    • 50 Derek Elley
    What gives Quitting its freshness is its setting in a country that often denies it has such problems and the decision to anchor the film strongly within the Chinese family fabric.
    • 76 Metascore
    • 70 Derek Elley
    A classic example of a clever idea that could easily have run out of steam halfway. However, co-scripters Pegg and Wright structure it as a classic three-acter (set-up, journey, finale) with enough twists, character development and small set pieces to keep the comedy boiling.
    • 55 Metascore
    • 60 Derek Elley
    The supporting perfs provide the real drama, especially Hinds' excellent turn as the outwardly macho but inwardly broken Traynor, and McSorley's simmering portrayal of the psychotic Gilligan
    • 65 Metascore
    • 40 Derek Elley
    Japanese helmer Hirokazu Kore-eda’s ongoing interest in love, loss and souls in limbo is stretched way too thin in Air Doll, a beautifully lensed (by Taiwanese ace Mark Lee) and charmingly played (by South Korean icon Bae Du-na) modern fairy tale about an inflatable doll who takes on a life of her own. Recut to a trim 90 minutes, this fragile yarn would work perfectly and have a chance of an afterlife as a specialty item. In its present form, pic may not get much farther than the fest netherworld.

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