Connie Ogle

Definitely funny. Goofy, ridiculous, with more gross-out humor than is strictly necessary but still funny.

The only thing missing from this winsome, madcap throwback set in London on the eve of World War II is an actual Brit in the title role.

In some ways, better than its book.

We may not understand her, this strange, solitary woman, but we know in our bones her desire for a place in the world.

There are some who may lament Aniston’s choice to step out of her comfortable comedy shoes and little black dresses, but the decision was sound: The best reason to see Cake — the sort of film that makes your life look pretty good in comparison — is to watch her deliver her best dramatic performance to date.

Some of the developments feel a bit predictable — shot in the dull hues of gray that match Maud’s life, Suffragette occasionally turns hard truths into platitudes — but the story is inspiring, buoyed by a fine cast, a pointed, important examination of the price paid for a shot at equality.

All we can do is hope that films such as Hotel Rwanda remind us all -- moviegoer and politician -- of the terrible cost of doing nothing.

Romantic comedies don't have to be profound when they are as appealing as this one.

Penguins are intrinsically amusing. In general, Jim Carrey is amusing, too, provided you can overlook that whole "How the Grinch Stole Christmas" debacle. In Mr. Popper's Penguins, he and they add up to surprisingly fun family entertainment.

Equally thrilling and wrenching, the film is an absolute must for anyone who loves sports and an eloquent explanation for those who don't understand what the fuss is about.

The film's appeal is universal, not just female, and, best of all, it's based on a true story.

As for the Marigold Hotel, well, it's not the Delano. But overall it's a fine spot to spend a couple of hours.

Brosnan and Moore may not be substitutes for Tracy and Hepburn, but they're more than capable of making you smile for now.

Better than its trailers indicate. Forget the seemingly silly Chapstick moment: Any film that sends a cold shock to your system is doing something right.

Carlei’s film is not particularly imaginative in terms of context, but it offers proof that this material never tarnishes, that with the right sort of movie magic, even a traditional telling can be thrilling.

Vibrant and intriguing, a fine adaptation despite the slight departures from its source, with warm cinematography that captures the feel of '50s Saigon and two performances worthy of Oscar attention.

Despite its subject matter, Transamerica is a surprisingly funny movie, because Tucker never lets the pathos overwhelm his sense of humor.

A film that's funny and entertaining for kids and adults.

These Fitzgeralds are loud, selfish and often maddening, but they're a loving group, and you wouldn't mind spending more time with them.

Begin Again manages to be romantic and cynical about the music industry, which Carney touches on but never allows to take center stage.

The real hit of the movie is the hilarious Bateman. His low-key humor makes you wish Hancock could have saved Bateman's short-lived sitcom "Arrested Development." Now that would have been heroic.

A trifle bland, but with enough virtues to make it palatable to audiences who want comfort food, not a challenge, when they go to the movies.

Kill Your Darlings is more coming-of-age story than murder mystery, but its characters are so well drawn and complex the emotional weight carries a suspense all its own.

Not about sex; it's about leaps of faith, at work, in love, in life.

So hilarious that even longtime Ferrell haters (me) can't resist it.

It digs deep into the heart and soul of its lovers, who are idealistic, intelligent and passionate - and yet still risk everything they might gain for stolen moments together.

Gamely depicts an interesting bit of history, but its real message is a matter of principle.

Vardalos made the Portokaloses so funny they'll make your own family seem tame.