For 706 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The King's Speech
Lowest review score: 0 Rollerball
Score distribution:
706 movie reviews
    • 48 Metascore
    • 50 Connie Ogle
    21
    Except for Spacey's talent, elements don't add up.
    • 42 Metascore
    • 50 Connie Ogle
    Feels every bit as cheap and flimsy as Edward's hospital.
    • 47 Metascore
    • 50 Connie Ogle
    I Saw the Light, though, doesn’t live up to Hiddleston’s efforts; it’s shallow and disjointed, handicapped by a weak, cliche-sodden script.
    • 48 Metascore
    • 50 Connie Ogle
    Pearce gets into his groove swiftly, owns it and remains entertaining throughout. The rest of the movie, however, would work better as a video game.
    • 52 Metascore
    • 50 Connie Ogle
    This is getting old.
    • 29 Metascore
    • 50 Connie Ogle
    Premonition is actually more daring than you might expect. Not bold enough to be memorable, maybe, but just enough to keep you from falling asleep in front of the TV.
    • 50 Metascore
    • 50 Connie Ogle
    Think "Cruel Intentions" in period costume, or better yet, Sofia Coppola's "Marie Antoinette," which managed to take its subject matter lightly and seriously at the same time.
    • 32 Metascore
    • 50 Connie Ogle
    Paranoia has a promising foundation — betrayal, danger and corporate espionage are solid building blocks of suspense. But the movie turns out to be more exasperating than exciting.
    • 53 Metascore
    • 50 Connie Ogle
    Only two characters are worth much notice; neither is a prince, and one is a really big mouse, which tells you something sad about Narnia's royal family.
    • 48 Metascore
    • 50 Connie Ogle
    Johansson is magnetic enough to make this batch of Southern-fried corn almost digestible.
    • 64 Metascore
    • 50 Connie Ogle
    The film hardly aims to be serious entertainment, and, to its credit, it's never uninteresting visually.
    • 48 Metascore
    • 50 Connie Ogle
    You can tell they're desperate when they unashamedly resort to showcasing cutesy sea-creature behavior. Sandler is a funny guy. Let him work for his own laughs. He doesn't need a puking walrus to prop him up.
    • 45 Metascore
    • 50 Connie Ogle
    Detention has a frenetic visual style that's fun and appealing in a lot of ways, but there are way too many elements fighting for attention.
    • 42 Metascore
    • 50 Connie Ogle
    There are a few flashes of wit in the romantic comedy Austenland, but for the most part, the humor lands not with Dear Jane’s grace and style but with all the subtlety of a cholera outbreak.
    • 72 Metascore
    • 50 Connie Ogle
    As it spins along at a reasonably good clip - no one is going to mistake it for the slicker, more action-packed "Salt" - The Double unravels its secrets, which prove to be its undoing.
    • 29 Metascore
    • 50 Connie Ogle
    Fool's Gold isn't so much a film as an opportunity to pay homage to Matthew McConaughey's impressive physique.
    • 46 Metascore
    • 50 Connie Ogle
    May be dumb, but it must be noted that the screenwriters of this slight, silly comedy have borrowed from the best.
    • 46 Metascore
    • 50 Connie Ogle
    A film based on this information is potentially interesting, but Conspiracy of Silence, set in modern-day Ireland, is incoherent and often hard to follow.
    • 62 Metascore
    • 50 Connie Ogle
    Ends up as colorless as Reeves' first Superman suit.
    • 38 Metascore
    • 50 Connie Ogle
    It's not only the mythical, mind-reading creature at the story's center that prevents the film from taking flight. A worn-out plot and a novice actor also contribute to the disappointment.
    • 56 Metascore
    • 50 Connie Ogle
    Shockingly, it's an understated but amusing Ferrell who keeps Winter Passing from growing unbearable.
    • 60 Metascore
    • 50 Connie Ogle
    What's missing most in the film, though, is a palpable sense of tension.
    • 52 Metascore
    • 50 Connie Ogle
    Guggenheim managed to turn a Power Point presentation into a crowd-pleasing Academy Award winner, but he can't do much to free Gracie from its constraints and clichés.
    • 47 Metascore
    • 50 Connie Ogle
    What most hurts The Day After Tomorrow is its unfortunate, lecturing tone.
    • 33 Metascore
    • 50 Connie Ogle
    Schwarzenegger doesn't at all seem too old for the part; his bulging muscles still fill the action-hero's suit just fine. It's what he's doing that is tired and, maybe, played out.
    • 62 Metascore
    • 50 Connie Ogle
    The uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes
    • 42 Metascore
    • 50 Connie Ogle
    Unfortunately, Insurgent can’t quite live up to its intriguing set up. Even if you’re curious about it, the movie is often plodding and frequently nonsensical, with action that never feels novel or exciting.
    • 49 Metascore
    • 50 Connie Ogle
    If you're not a rabid fan of Texas hold 'em -- the poker phenomenon that swept the country a couple of years ago but is hardly cutting edge now -- you might want to step quickly away from Lucky You.
    • 55 Metascore
    • 50 Connie Ogle
    Just amusing enough to provoke a few chuckles and just short enough to keep you from glancing at your watch.
    • 60 Metascore
    • 50 Connie Ogle
    Put in such an uncomfortable position, the audience needs something to fall back on, like chemistry between its stars. Here that's half-hearted at best.

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