Clint Worthington

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For 335 reviews, this critic has graded:
  • 52% higher than the average critic
  • 6% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Clint Worthington's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Rider
Lowest review score: 12 Hurry Up Tomorrow
Score distribution:
  1. Negative: 31 out of 335
335 movie reviews
    • 74 Metascore
    • 75 Clint Worthington
    Formally, it doesn’t reinvent the wheel ... But this straight-shooting approach mostly works, even if it doesn’t pin Davis down as concretely as some would like.
    • tbd Metascore
    • 75 Clint Worthington
    An intriguing doc that juggles ’90s nostalgia with an optimism for student journalism that avoids over-sentimentality.
    • 59 Metascore
    • 75 Clint Worthington
    It’s a mid-budget riff on “Bullet Train,” after all—but meet it on its altitude, and it’s a bloody, funny good time.
    • 67 Metascore
    • 75 Clint Worthington
    Grief and loss can take hold of your soul, not unlike a possession; what Clapin explores here is the temptation of reconnection, and what that oft-impossible yearning can do to a person.
    • 50 Metascore
    • 75 Clint Worthington
    Behind Meet Cute‘s smart performances and effortless humor lies a bittersweet tale about the agony of choosing to live another day, of making decisions not knowing whether they’re the right ones.
    • 60 Metascore
    • 75 Clint Worthington
    Sopranos superfans will find plenty to love about the prequel film.
    • tbd Metascore
    • 75 Clint Worthington
    The evil that men do, a character says near the end, “tethers us to proof of the divine.” That Crowley packages these ideas in such a bleak, bloody curiosity as this is something to celebrate.
    • 69 Metascore
    • 75 Clint Worthington
    Cronin gets that the Evil Dead franchise doesn’t have to be limited to one wisecracking, lantern-jawed battle with the forces of darkness; the Book of the Dead, and its ability to turn those you love against you, is enough to hang a film on if you do it right.
    • 62 Metascore
    • 75 Clint Worthington
    It’s frothy and insubstantial, but at least takes its central idea — life’s too short, start a polycule — seriously enough to be charming.
    • 79 Metascore
    • 75 Clint Worthington
    We get to see Lopez command the screen as easily as Ramona does the stage, offering up a seductive awards-worthy performance that makes us remember why she became a movie star in the first place.
    • 72 Metascore
    • 75 Clint Worthington
    Always Shine is a fantastic thriller for two-thirds of its runtime, ending with a ballsy third act as admirable in its ambition as it is narratively frustrating.
    • 74 Metascore
    • 75 Clint Worthington
    Even as On the Count of Three tumbles toward an ending as unpredictable as it is slightly unearned, the bones of its central performances and unabashed embrace of its concept keep you glued to the screen.
    • 69 Metascore
    • 75 Clint Worthington
    If you’re looking for a reinvention of the biopic formula, there are plenty of films this season to set you up. If you think there’s still room for the traditional ‘true-story’ drama, Lion proves these stories still have a little life left in them.
    • 65 Metascore
    • 75 Clint Worthington
    The Second Part is a film almost wholly redeemed by its climax, a culmination of unexpected plot threads and surprisingly sweet character development that ends up making the whole more valuable in hindsight.
    • 56 Metascore
    • 75 Clint Worthington
    Tag
    Like the real figures at the center, all the schemes and tricks and traps are just the way these men express their sincere affection for one another. That’s sweet enough, but the way their loved ones also get wrapped up in the game as well makes Tag, as corny as it might sound, a testament to the transformative power of play.
    • 76 Metascore
    • 75 Clint Worthington
    I still don’t know whether all (or even most) of Asteroid City’s ideas coalesce, so scattershot is the film’s pacing and plotting. But from moment to moment, it charms and moves in ways only Anderson can deliver.
    • 57 Metascore
    • 75 Clint Worthington
    Snyder’s momentum starts to lose steam around the 90-minute mark, and there are too many kooky concepts left frustratingly unexplored. But as a showcase for Snyder’s deft command of action and ink-black sense of humor, Army of the Dead is an exciting piece of brain-chewing fun.
    • 72 Metascore
    • 75 Clint Worthington
    It may feel like damning with faint praise, but “LifeHack” is easily one of the more tolerable screenlife thrillers of recent vintage.
    • 68 Metascore
    • 75 Clint Worthington
    At the ripe age of ninety, Shatner remains as alive as ever—his eyes wild with curiosity and humor, his honeyed voice barely worn down by years of voiceover and soliloquy. But he remains deeply aware of his own numbered days, which makes “You Can Call Me Bill” feel like something of a self-administered cinematic eulogy.
    • 62 Metascore
    • 75 Clint Worthington
    But there’s something surprising about its approach to both blockbuster filmmaking and Ryan Reynolds star vehicles. It’s at once a Deadpool riff and the absolute opposite, a violent video game movie that’s about how fighting isn’t actually the answer. And what’s more, it commits to those lofty aspirations, couching a sweet little love story in the CG-addled mayhem of a Ryan Reynolds action-adventure flick.
    • 67 Metascore
    • 75 Clint Worthington
    Upgrade’s sheer energy and the strength of its concept do more than enough to elevate this revenge picture into something refreshing and eminently watchable.
    • 77 Metascore
    • 75 Clint Worthington
    At its heart, it’s an assured tale of queer resistance, blended with the supernatural rhythms of the folktale, and it feels suitably transgressive for its gender-nonconforming characters. It’s sweet, and affirming, and hopefully opens a few people’s eyes (and hearts).
    • 62 Metascore
    • 75 Clint Worthington
    The results are deliciously off-kilter, even if the sci-fi world Stearns has created is somewhat clumsily reverse-engineered to make his central premise possible.
    • tbd Metascore
    • 75 Clint Worthington
    The personal doc can often feel stifling and self-congratulatory; Tavel makes it feel personal and disarming, an earnest and sincere attempt to understand herself through the father she never got to know, and the big, plastic box of wires that might bring him closer, even if just a little bit.
    • 65 Metascore
    • 75 Clint Worthington
    Whether as an amped-up look into a great singer-songwriter’s musical process from page to stage, or a deeper dive into the psyche of America’s most frustratingly composed artist, Miss Americana feels insightful and hypnotic.
    • 85 Metascore
    • 67 Clint Worthington
    More than a concert doc and less than an artist profile, Oasis Knebworth 1996 hits that sweet spot of giving misty-eyed Oasis fans what they want: A glimmering look back at one pleasant weekend and the life-changing music that defined it.
    • 64 Metascore
    • 67 Clint Worthington
    Romulus feel torn between Alvarez’s desire to tell a new story in the Alien universe and 20th Century Studios’ desire for a fan-servicey thrill ride.The frustrating thing about it is that, moment to moment, it very much works.
    • 75 Metascore
    • 67 Clint Worthington
    Skating fans and Hawk aficionados will find a lot to like ... But it’s frustrating to see Jones’ approach fail to dig much deeper into the man than we’d already expect, opting instead to more broadly elaborate on the low-key death wish a lot of skaters seem to engage in.
    • 54 Metascore
    • 67 Clint Worthington
    It’s rough, messy, and overlong, but may well capture the well-intentioned spirit of what it’s trying to do better than the compromised version we got at release. It may even be something I revisit in the future — just maybe not all in one sitting.
    • 52 Metascore
    • 67 Clint Worthington
    Admittedly, big stretches of Demeter are a bit overwritten and unnecessary; there’s no real need for a film like this to exist, especially considering we know how it’ll all turn out. But as long as it’s here, it might as well be celebrated for what it is: lean, effective nautical horror of a type we don’t often get anymore. Seaside scares are a rare thing these days, especially when Øvredal packs this much atmosphere and characterization into such a wafer-thin premise.

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