Clayton Dillard

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Slant Magazine
For 315 reviews, this critic has graded:
  • 29% higher than the average critic
  • 3% same as the average critic
  • 68% lower than the average critic
On average, this critic grades 9.4 points lower than other critics. (0-100 point scale)

Clayton Dillard's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Graduate
Lowest review score: 0 Nothing Bad Can Happen
Score distribution:
  1. Positive: 157 out of 315
  2. Mixed: 59 out of 315
  3. Negative: 99 out of 315
315 movie reviews
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    • 29 Metascore
    • 12 Clayton Dillard
    Tasting Menu
    There's a sinister, even insidious quality to a film that insists upon using incessant food montages not as a source of passion, but fodder for class-based self-congratulation.
    • 44 Metascore
    • 12 Clayton Dillard
    Hyena Road
    Paul Gross situates the film's events somewhere between violent, militaristic fantasy and gentler, anti-war lament.
    • 2 Metascore
    • 12 Clayton Dillard
    Hillary's America: The Secret History of the Democratic Party
    The film is an incoherent and aesthetically barren harangue masquerading as a revisionist history lesson.
    • 19 Metascore
    • 12 Clayton Dillard
    The Lovers
    A shamelessly derivative and preposterous would-be blockbuster that goofily fashions itself as a sweeping romance, time-travel sci-fi tale, and gallant period piece all at once.
    • 49 Metascore
    • 12 Clayton Dillard
    Space Station 76
    As a space-opera lampoon, it's incoherent primarily because it's never clear what the filmmakers are attempting to spoof.
    • 51 Metascore
    • 12 Clayton Dillard
    Trust Me
    Almost none of the film's characters or scenarios escape feeling contrived under writer-director-star Clark Gregg's bizarro tonal shifts and plot developments.
    • 11 Metascore
    • 12 Clayton Dillard
    Some Kind Of Beautiful
    A hodgepodge of horny-old-man clichés writ large, staged as a gleeful affirmation of its male lead's ego and entitlement.
    • 24 Metascore
    • 12 Clayton Dillard
    Unfreedom
    The film's troubled aesthetics are exacerbated by a screenplay that contains the trappings of amateur toil, including dialogue that harps on innocuous moments and trifling exposition.
    • 42 Metascore
    • 12 Clayton Dillard
    Julian Schnabel: A Private Portrait
    The film is intended to be placed at the altar of Julian Schnabel, an artist so singular that words simply fail.
    • 50 Metascore
    • 12 Clayton Dillard
    Trash
    Director Stephen Daldry, working from an exploitative script by Richard Curtis, opts for a full-on Slumdog Millionaire imitation.
    • 51 Metascore
    • 0 Clayton Dillard
    Nothing Bad Can Happen
    A film so comprehensively miscalculated in its desire to be a batshit think piece that it potentially creates a new category of offense.
    • 35 Metascore
    • 0 Clayton Dillard
    7 Minutes
    Whether because of race, shame, shelter, or fright, 7 Minutes remains white in the face throughout.
    • 30 Metascore
    • 0 Clayton Dillard
    Always Woodstock
    The filmmakers play Catherine's disgustingly narcissistic sense of entitlement as endemic to the supposedly girl-next-door charms befitting the film's thoroughly normative gender politics.
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