Clarence Tsui

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For 58 reviews, this critic has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Clarence Tsui's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Dead Souls
Lowest review score: 10 The BreakUp Guru
Score distribution:
  1. Positive: 27 out of 58
  2. Negative: 5 out of 58
58 movie reviews
    • 52 Metascore
    • 30 Clarence Tsui
    Brad Anderson has basically thrown everything into the film's furnace so as to keep its wobbly narrative running — to no avail, sadly: as the leaps between genre tropes and divergent threads exposes ever wider plot holes, this incoherent adaptation of an Edgar Allan Poe attempts endless twists and turns culminating in a supposedly cathartic denouement drenched in sap.
    • tbd Metascore
    • 20 Clarence Tsui
    Indeed, all this teeters closely to all-out tastelessness, but what makes 3.0 even more unbearable than its predecessors is the sheer ineptitude beneath the glossy surface: the laughable narrative, scatterbrained storytelling and inconsistent characterizations basically magnify the previous film's flaws to an improbable extreme.
    • tbd Metascore
    • 10 Clarence Tsui
    Deng and Yu have delivered a ceaseless juggernaut of incoherently-strung together gags like a lightweight Stephen Chow; this could make Adam Sandler, who could easily be imagined dabbling in something like this, look like a nuanced artist.
    • 32 Metascore
    • 30 Clarence Tsui
    Belying its ominous title, Age of Extinction barely skirts the idea that humankind and planet Earth are about to be totally annihilated. What is extinguished is the audience's consciousness after being bombarded for nearly three hours with overwrought emotions...bad one-liners and battles that rarely rise above the banal.
    • 40 Metascore
    • 30 Clarence Tsui
    Perhaps keenly aware of the short attention spans and the reluctance in the ordinary viewer to countenance long-lingering malice on screen – especially among good-looking, self-proclaimed friends – everything gets neatly resolved sharply and swiftly, so that shouting matches will quickly give way to yet another round of gags and all-round tomfoolery.

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