Christopher Schobert

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For 99 reviews, this critic has graded:
  • 66% higher than the average critic
  • 4% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 3.9 points higher than other critics. (0-100 point scale)

Christopher Schobert's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Waves
Lowest review score: 0 The Bag Man
Score distribution:
  1. Positive: 70 out of 99
  2. Negative: 8 out of 99
99 movie reviews
    • 44 Metascore
    • 58 Christopher Schobert
    While the politics and film as a whole are not entirely successful, there is much to admire in “Wolf Creek 2,” not the least if which is director Greg McLean’s chutzpah. He is a visually adept filmmaker who makes fine use of the broad canvas that is the outback.
    • 42 Metascore
    • 58 Christopher Schobert
    Mark Strong and an underused Brian Cox are fine, and Taissa Farmiga demonstrates why she is acknowledged as one of America’s most promising young talents. But she deserves a better role, everyone involved deserves a stronger script.
    • 34 Metascore
    • 58 Christopher Schobert
    The reason to see Siberia is, quite simply, the presence of Keanu Reeves.
    • 32 Metascore
    • 42 Christopher Schobert
    Euphoria is undeniably a missed opportunity at creating a drama of frayed sisterhood that feels fresh and unique. The film is also too restrained and unambitious to make a grand statement on mortality.
    • 30 Metascore
    • 33 Christopher Schobert
    Basmati Blues is an inoffensive trifle. It does not warrant outrage; it’s not bold enough to risk it. Yet there is some heart, and undoubtedly, some ambition.
    • 28 Metascore
    • 0 Christopher Schobert
    The Bag Man is, in final analysis, truly disheartening.
    • 27 Metascore
    • 25 Christopher Schobert
    Terminal is destined to be forgotten. However, if the cast, the look, and the wacky storyline intrigue, it might be worth a viewing. While it’s far from the so-bad-its-good category, the few oddities contained within may delight a few curious audience members.
    • 17 Metascore
    • 33 Christopher Schobert
    What is perhaps most surprising is that the film’s first hour, the non-horror section, is far more compelling than the second, an extended, nonsensical haunted hotel sequence that never scares, intrigues, or surprises.
    • 14 Metascore
    • 25 Christopher Schobert
    Taking on such a wacky project for his directorial debut shows evidence of real ambition, yet Don Peyote must be considered a complete miss. Still, Fogler is certainly not without charm and comedic ability.

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