Christopher Gray

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Slant Magazine
For 127 reviews, this critic has graded:
  • 25% higher than the average critic
  • 2% same as the average critic
  • 73% lower than the average critic
On average, this critic grades 4.6 points lower than other critics. (0-100 point scale)

Christopher Gray's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Atlantics
Lowest review score: 0 4th Man Out
Score distribution:
  1. Positive: 79 out of 127
  2. Mixed: 34 out of 127
  3. Negative: 14 out of 127
127 movie reviews
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    • 59 Metascore
    • 38 Christopher Gray
    Voyeur
    It's hard to come away from the film feeling anything but disdain and a twinge of embarrassment toward Gay Talese.
    • 68 Metascore
    • 38 Christopher Gray
    My Friend Dahmer
    The film wants to treat Jeffrey Dahmer like a character, but it invariably frames him like a specimen.
    • 73 Metascore
    • 38 Christopher Gray
    Wind River
    When Taylor Sheridan is left to his own devices, his work seems more abrupt and shallow, no more so than when he resolves all of this film's lingering questions in one unremittingly nasty sideswipe of a flashback.
    • 40 Metascore
    • 25 Christopher Gray
    Table 19
    Each of Table 19‘s faint glimmers of grace are overwhelmed by elements of general spatial and narrative incompetence.
    • 33 Metascore
    • 25 Christopher Gray
    Fifty Shades Darker
    Fifty Shades Darker takes the Dark Knight approach to franchise maintenance, taking pains to assure you that its protagonists are serious about their passions.
    • 56 Metascore
    • 38 Christopher Gray
    Claire in Motion
    Throughout, writer-directors Lisa Robinson and Annie J. Howell's film buckles under the weight of its symbolism.
    • 48 Metascore
    • 38 Christopher Gray
    The Girl on the Train
    It forgoes its promise of twisty adult thrills in favor of a grimly deadpan lecture about messy truths and false perceptions.
    • 45 Metascore
    • 38 Christopher Gray
    Five Nights in Maine
    Maris Curran never reconciles the film's impulse to interiority with its weakness for hothouse melodrama.
    • 58 Metascore
    • 38 Christopher Gray
    A Hologram for the King
    Remarkably faithful, except in how it rather boldly transforms Dave Eggers's drama into a broad comedy.
    • 54 Metascore
    • 25 Christopher Gray
    Already Tomorrow in Hong Kong
    The script labors to give the film a strong sense of place, but strange lapses confirm a sense that the city isn't a character here.
    • 43 Metascore
    • 0 Christopher Gray
    4th Man Out
    It's a bizarre and retrograde spectacle, as clueless and incurious about friendship as it is about the rudiments of composition and screenwriting
    • 40 Metascore
    • 25 Christopher Gray
    The Benefactor
    Writer-director Andrew Renzi treats unfettered wealth as a hyperbolic playground through which to explore masculine insecurity.
    • 47 Metascore
    • 25 Christopher Gray
    In the Heart of the Sea
    The narrative is helplessly adrift, a yarn that extols vague grit and determination with no discernible through line.
    • 27 Metascore
    • 25 Christopher Gray
    Pixels
    This is a Happy Madison production, and as such it's exhaustively lazy, outside of its righteous dedication to the valorization of the man-child.

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