Chase Hutchinson

Mars Express finds deeper truths that are as tragic as they are transcendent. This makes it a sci-fi tapestry not just worth getting lost in, but one that is deeply human as well. What a painful joy it is.

Even as it comes awfully close to overstaying its welcome just a bit, much like the spiders in the home of the characters, it very quickly grows on you.

Breathe is empty bluster and nothing more. It’s like a vacuum of where a movie should be, sucking all the air out of the room until nothing is left.

Though the ending is somewhat disappointing and less dynamic than everything that preceded it, this can’t take away all that the film still has going for it.

It is grimly funny at times, though no less terrifying because of it. Everything compliments itself as we observe the beautiful forest being made into a hunting ground where there is nowhere you are safe for long.

When watching The Feeling That The Time For Doing Something Has Passed, the brilliant comedy from writer-director Joanna Arnow in which she also stars, both comedy and tragedy are expertly wielded in her hands.

There is no other horror film you’ll see this year as incessantly cruel and mean-spirited as The Coffee Table. This is both a compliment and a criticism, as, while the film is plenty committed to twisting the knife into its audience, it can also be rather repetitive before rushing to the finish.

Even when it can risk falling into being a little repetitive and dulling its impact, it will swerve in just the right way to keep you on your toes.

Not only does neither part of Rebel Moon work, but The Scargiver is such a downgrade that it could prove difficult for the franchise to bounce back for more.

Sting is a horror movie about a killer spider from outer space that somehow falls short of the fun potential of such a premise.

There are masterful works of horror that have proven less can be more. Despite some of its promise, Baghead is not one of them.

Where the original remains a work of art that is as entertaining as it is well-made, this remake proves to be nothing more than an empty and thunderously stupid approximation of an action film. Neither thrilling nor tense, it's simply dead on arrival.

Carter may remain quite lousy, but with Krumholtz at the helm, this film is anything but.

While the title promises fire, the only riddle remaining is where the adventure it was searching for ended up disappearing to.

Expansive yet focused, it is a work that is dense in terms of its ideas while also making room for more delicate emotional notes when you least expect it to.

Cuckoo will most certainly not be for everyone, but for those looking for a horror film that draws you in just as it defies any of your expectations for where it is supposed to go, it’s hard to think of a trip this year you’ll find that is as bold and bonkers as this one.

Sometimes, in film and in life, the greatest gifts are the ones you don’t expect yet were there all along. Omni Loop is this in beautiful, bittersweet action. As it loops back one more time, you’ll wish you could run it all back again.

A thriller that starts solidly enough and picks up steam before blowing the doors off with an outstanding ending, Magpie is one of those rare films that feels both fresh and alive while building off classic genre works of the past.

It is a film about journalistic ethics and, in its own way, the interpretation of images is grounded in [Dunst’s] outstanding performance. It isn’t an easy role to inhabit, but she does so perfectly.

Giving life to a horror vision that would not have nearly the same power and potency without her at the forefront of it, Sweeney has never been better than she is here. What a darkly beautiful yet brutal, bloody and bold film this is for her to wield.

The Fall Guy feels like an entire feature of scattered ideas that have been done better elsewhere.

Even at just over 90 minutes, it quickly runs out of steam and can only coast along.

While far more grim than one might expect, and miles away from being a straight crowd-pleaser, it proves Patel is a force to be reckoned with, not only as an action star but as someone with skill behind the camera.

Not only is director Benjamin Brewer’s Arcadian a good Nicolas Cage movie, but it’s one of the most fun cinematic experiences that he has been a part of in recent memory. It's a work of horror worth taking seriously even as things go gloriously off the rails.

Tim Blake Nelson and Chloë Kerwin give life to Asleep in My Palm, helping to smooth over the narrative rough spots when it count.

Just as credit must be given to Baker for how she so completely captures a moment in time and place, it is Nicholson who inhabits this world so naturally that you feel like you’re just peeking in on Janet’s life.

Amelia's Children is a horror film that has moments of unintentional humor, but is ultimately dull rather than some sort of clever dark comedy.

There is something occasionally charming about Outlaw Posse. Alas, charm can only get you so far when a film resembles more of a scattered work of cosplay than a robust cinematic work.