For 21 reviews, this critic has graded:
  • 61% higher than the average critic
  • 0% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Charles Gant's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 80 The Brand New Testament
Lowest review score: 50 The Visit
Score distribution:
  1. Positive: 14 out of 21
  2. Negative: 0 out of 21
21 movie reviews
    • 72 Metascore
    • 80 Charles Gant
    Ethel & Ernest is, at its heart, a fond character study.
    • 70 Metascore
    • 70 Charles Gant
    Co-writers Julian Barratt and Simon Farnaby fly the flag for a rare original idea with the goofy, genial, fitfully inspired Mindhorn.
    • 65 Metascore
    • 70 Charles Gant
    Native New Yorker Michael O’Shea makes an impressively confident directorial debut with The Transfiguration, a vampire movie that looks, feels, walks and talks like a gritty US indie flick.
    • 54 Metascore
    • 70 Charles Gant
    While Gervais returns often to the same comedic well, he’s adept at transforming simple miscues into horrific spirals of embarrassment.
    • 67 Metascore
    • 80 Charles Gant
    What really separates The Girl With All the Gifts from the genre pack, however, is its moral intelligence, clever thematic consistency (drawing on the Greek myth of Pandora’s box) and emotional heft, the latter component rooted in the truly captivating breakout performance of young Nanua.
    • 88 Metascore
    • 80 Charles Gant
    The film’s ace card is its intertwining of not one but two mismatched buddy relationships.
    • 66 Metascore
    • 70 Charles Gant
    Elstree 1976 entertainingly explores the world of the character actor and bit-part player.
    • 70 Metascore
    • 80 Charles Gant
    With the consistently playful, often delightful and frequently funny God fantasy The Brand New Testament, the Belgian auteur delivers his most substantially enjoyable film since 1991’s Toto The Hero.
    • 87 Metascore
    • 80 Charles Gant
    The film’s rigorous approach will appeal to documentary purists while challenging more general audiences who might care to know more about Pathway, Gusman and his philosophy.
    • 70 Metascore
    • 80 Charles Gant
    Zemeckis reminds us that it’s in the service of reality, rather than fantasy, that digital technology is often most potent.
    • 65 Metascore
    • 70 Charles Gant
    Corin Hardy makes a slick, confident debut with supernatural horror The Hallow. Demonstrating a facility with storytelling almost as skilful as his nimble orchestration of animatronics and visual effects.
    • 59 Metascore
    • 70 Charles Gant
    While the story arc of Hippocrates is not especially remarkable, the film works best in its depiction of life in the bowels of the hospital, which the public never visits.
    • 64 Metascore
    • 70 Charles Gant
    Although the film is never less than gripping, the story beats of the chase rely on a number of coincidental encounters, while the abundance of main characters and their unpredictable natures can make them seem a bit light on psychological investigation.
    • 94 Metascore
    • 80 Charles Gant
    Above all, 45 Years is a drama of quiet restraint.

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