Calvin Wilson

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St. Louis Post-Dispatch
For 439 reviews, this critic has graded:
  • 79% higher than the average critic
  • 0% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 11.9 points higher than other critics. (0-100 point scale)

Calvin Wilson's Scores

  • Movies
  • TV
Average review score: 78
Highest review score: 100 A Prophet
Lowest review score: 25 A Good Old Fashioned Orgy
Score distribution:
  1. Positive: 377 out of 439
  2. Mixed: 49 out of 439
  3. Negative: 13 out of 439
439 movie reviews
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    • 65 Metascore
    • 88 Calvin Wilson
    Maudie
    Maudie is a work of art.
    • 65 Metascore
    • 100 Calvin Wilson
    Tetro
    Shot mostly in black and white and imbued with a romanticism that's at once nostalgic and exhilarating, Tetro sneaks up on you. What threatens to be a mere exercise in style proves to be as involving as it is inventive.
    • 65 Metascore
    • 88 Calvin Wilson
    Hostiles
    If you’ve got a hankering for a Western, Hostiles is must-viewing.
    • 64 Metascore
    • 75 Calvin Wilson
    The Way
    Pleasant, well-acted but somewhat overlong, The Way was written and directed by Estevez, who's perhaps best known for his acting career ("The Breakfast Club").
    • 64 Metascore
    • 75 Calvin Wilson
    Mother and Child
    Unfortunately, Garcia can't quite resist sentimentality, giving us an ending that's a bit too emotionally neat. Still, Mother and Child is a thoughtful and provocative film about the way we live now.
    • 64 Metascore
    • 75 Calvin Wilson
    Swiss Army Man
    If you’ve been looking for a film that puts a daringly surreal spin on “Cast Away,” you’ll be in paradise.
    • 64 Metascore
    • 75 Calvin Wilson
    Born to be Blue
    It’s not necessary to be a jazz fan to get lost in this poetic and poignant film.
    • 64 Metascore
    • 50 Calvin Wilson
    Kaboom
    An inconsequential mess.
    • 64 Metascore
    • 63 Calvin Wilson
    Downsizing
    Working from a screenplay that he co-wrote with Jim Taylor, Payne delivers what must be his least funny film — if, indeed, his intention was to be funny.
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