Calvin Wilson

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For 439 reviews, this critic has graded:
  • 79% higher than the average critic
  • 0% same as the average critic
  • 21% lower than the average critic
On average, this critic grades 11.9 points higher than other critics. (0-100 point scale)

Calvin Wilson's Scores

  • Movies
  • TV
Average review score: 78
Highest review score: 100 A Prophet
Lowest review score: 25 A Good Old Fashioned Orgy
Score distribution:
  1. Negative: 13 out of 439
439 movie reviews
    • 63 Metascore
    • 100 Calvin Wilson
    Bursting with smart dialogue, surprising situations and humor that springs from richly imagined characters.
    • 96 Metascore
    • 100 Calvin Wilson
    With Manchester by the Sea writer-director Kenneth Lonergan (“You Can Count on Me”) confirms his status as a major American filmmaker.
    • 87 Metascore
    • 100 Calvin Wilson
    One of the best films of the year.
    • 78 Metascore
    • 100 Calvin Wilson
    Sophisticated comedies have gone out of fashion, largely because Hollywood finds it easier and more profitable to simply gross out moviegoers. But Please Give has real class -- and for that it deserves our gratitude.
    • 86 Metascore
    • 100 Calvin Wilson
    Baby Driver zooms onto the screen with an exhilarating combination of smarts and style.
    • 86 Metascore
    • 100 Calvin Wilson
    These days, every other film seems to be an audition to make a Marvel movie — but not Loveless. This is cinema of the first order.
    • 93 Metascore
    • 100 Calvin Wilson
    What Inside Llewyn Davis is all about: the passion, and the pain, of being an artist.
    • 86 Metascore
    • 100 Calvin Wilson
    A cinematic miracle, a film that carves out a vivid space that has nothing to do with wizards or extraterrestrials, but quite a lot to say about the fantastical creatures that roam through the humanity in us all.
    • 88 Metascore
    • 100 Calvin Wilson
    Believe the hype: Black Panther transcends its comic-book origins, achieving a mythic grandeur that’s nothing short of exhilarating.
    • 79 Metascore
    • 100 Calvin Wilson
    A far more interesting film than its title implies. And a film you’ve never seen before.
    • 86 Metascore
    • 100 Calvin Wilson
    With visual and psychological precision, Abrahamson brilliantly evokes the experience of living outside of everyday reality. And he does so without resorting to either creepiness or sentimentality.
    • 74 Metascore
    • 100 Calvin Wilson
    Into the Abyss makes a strong case for the inhumanity of capital punishment, regardless of the crime or the criminal.
    • 85 Metascore
    • 100 Calvin Wilson
    The film offers insights into Iranian society while also subtly making a case that human foibles are universal.
    • 88 Metascore
    • 100 Calvin Wilson
    The year’s most exhilarating film.
    • 83 Metascore
    • 100 Calvin Wilson
    The result, Pina, is the most spirited and spectacular film about dance since Robert Altman's "The Company."
    • 77 Metascore
    • 100 Calvin Wilson
    One of the best films of the year.
    • 72 Metascore
    • 100 Calvin Wilson
    The film is a raw, unsparing look at the downside of humanity.
    • 90 Metascore
    • 100 Calvin Wilson
    Acting opposite Day-Lewis must give even the most confident actor pause, but Krieps proves to be up to the challenge. And Manville, perhaps best known for her work with director Mike Leigh, is spellbinding. This film will haunt you.
    • 95 Metascore
    • 100 Calvin Wilson
    Brilliantly blending archival material, including clips of Baldwin on television and in public appearances, with narration by Samuel L. Jackson, Peck makes intriguing connections between the 20th century civil rights movement and the contemporary activism of Black Lives Matter.
    • 83 Metascore
    • 100 Calvin Wilson
    A timely docudrama about the role of the press in holding politicians accountable. But in the hands of director Steven Spielberg, the film plays more like a thriller than a history lesson.
    • 95 Metascore
    • 100 Calvin Wilson
    The story is so masterfully told that one can't help but be enthralled.
    • 81 Metascore
    • 100 Calvin Wilson
    Director Denis Villeneuve (“Arrival”) delivers a moody, visually stunning celebration of existential angst. Not that he skimps on the kind of mayhem that’s de rigueur these days, but you have to wait for it — and wait for it. But when it does arrive, it’s awesome.
    • 77 Metascore
    • 100 Calvin Wilson
    The success of the three, separately screened films -- the first set in 1974, the second in 1980 and the concluding segment in 1983 -- depends not on their specifics, but on their ability to sustain an atmosphere that's appropriate to the dark but haunting story.
    • 80 Metascore
    • 100 Calvin Wilson
    Perhaps the greatest triumph of Star Wars: The Force Awakens is that it justifies the enormous hype. Working from a screenplay that he co-wrote with Michael Arndt and Lawrence Kasdan, director J.J. Abrams (“Star Trek”) brings fresh energy to the franchise while adhering to the storytelling values that made it matter in the first place.
    • 81 Metascore
    • 100 Calvin Wilson
    The Big Short is the film that “The Wolf of Wall Street” wanted to be.
    • 70 Metascore
    • 100 Calvin Wilson
    Ant-Man and the Wasp is a vast improvement on “Ant-Man” (2015) — and one of the most entertaining releases from Marvel Studios.
    • 95 Metascore
    • 100 Calvin Wilson
    Unlike too many films these days, Zero Dark Thirty dares to embrace complexity. And that makes it not just state-of-the-art entertainment, but a great film.
    • 86 Metascore
    • 100 Calvin Wilson
    The Kids Are All Right probably could have used a few more scenes to come to an even more satisfying conclusion. But it's a terrific film anyway.
    • 90 Metascore
    • 100 Calvin Wilson
    Essential viewing for art-film buffs and crime-flick fans, but also for anyone who's looking for a great story, terrific acting and masterful filmmaking.
    • 88 Metascore
    • 100 Calvin Wilson
    If you think they don’t make movies like they used to, Brooklyn is glorious proof to the contrary.

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