For 32 reviews, this critic has graded:
  • 40% higher than the average critic
  • 0% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 23.6 points lower than other critics. (0-100 point scale)

Bruce Fretts' Scores

  • Movies
  • TV
Average review score: 42
Highest review score: 100 The Hustler
Lowest review score: 0 8 Heads in a Duffel Bag
Score distribution:
  1. Positive: 9 out of 32
  2. Negative: 19 out of 32
32 movie reviews
    • 70 Metascore
    • 75 Bruce Fretts
    It's got a good beat, you can dance to it.
    • 36 Metascore
    • 75 Bruce Fretts
    Sometimes, typecasting works: Holmes and Bratt settle comfortably into their roles, and the movie proves a competently made, mildly diverting collegiate thriller -- at least until its all-too-predictable ''twist'' ending.
    • 58 Metascore
    • 67 Bruce Fretts
    It's usually a good idea to avoid anything billed as ''a fable,'' but The Legend of 1900 offers almost enough merits to warrant an exception
    • 58 Metascore
    • 67 Bruce Fretts
    Bouncy animation and catchy songs keep the film from tasting too much like spinach.
    • 38 Metascore
    • 83 Bruce Fretts
    Leguizamo owns Empire, the first film to capture the live-wire crackle of his one-man stage shows -- He's front and center in nearly every scene, and he holds the screen with a simmering self-assurance.
    • 90 Metascore
    • 100 Bruce Fretts
    Paul Newman won his Best Actor Oscar for its 1986 sequel, The Color of Money, but he executed an equally award-worthy turn in Robert Rossen’s jazzy, boozy pool-hall morality play.
    • 59 Metascore
    • 67 Bruce Fretts
    Oh well, back to the drawing board.
    • 91 Metascore
    • 75 Bruce Fretts
    Carpenter's brutally efficient exercise in tension and release.
    • 51 Metascore
    • 83 Bruce Fretts
    Wild Bill succeeds as a character study of a man whose idiosyncratic code of justice eventually catches up with him. Bridges’ performance is a masterstroke of squinty-eyed bitterness, and he gets colorful support from Ellen Barkin (as kitten with a whip Calamity Jane) and John Hurt (as a dissipated British dandy).

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