Brian Thompson

Dense in content but also delivered at an intense pace – much like the raps themselves – the script by Kahn and Alex Larsen (a prominent Toronto rapper under the moniker of Kid Twist) balances the harsh directness of rap lyricism with academic analysis, without alienating fans of either realm.

The crux of the story rests on the relationship between David and Nic, and Carell and Chalamet truly bring the characters to life with their raw, humanistic performances indicative of the open wounds displayed onscreen. The film nimbly captures the bitter animosity that only arises amongst those whom we love most.

Though Liyana often feels more like an exercise in storytelling than a complete narrative, it is heartwarming to see the kids light up as they work together to create art out of their hardship.

Carefully balancing breakneck momentum and a heartfelt investigation of the grieving process is no simple feat, but Kienle is mostly up to the task.

Chic, sexy, and just the right amount of sleazy, A Simple Favor is a stunning thrill ride, a viciously engrossing experience that has become so rare in studio filmmaking.

A failure on virtually every level, Peppermint is a slapdash, half-hearted affront to anyone unfortunate enough to get caught in its crosshairs.

Hal is a loving tribute to a filmmaker who rarely gets the attention he deserves.

Sure, Blindspotting can feel a bit rough around the edges. Diggs and Casal have so many ideas they want to explore, and they aren’t always able to articulate them in a concise, economical way. But even if they haven’t quite honed their craft as screenwriters yet, theirs is a story that desperately needs to be told and they continue to find compelling ways by which to convey its urgency.

Thematically relevant and persistently moving the form forward, Searching is an emotional roller coaster, taking a familiar premise and invigorating it along with biting commentary on viral video culture.