Bradley Warren

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For 48 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

Bradley Warren's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Suspiria
Lowest review score: 0 Jeannette: The Childhood of Joan of Arc
Score distribution:
  1. Positive: 31 out of 48
  2. Mixed: 15 out of 48
  3. Negative: 2 out of 48
48 movie reviews
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    • 97 Metascore
    • 75 Bradley Warren
    Parasite
    A demented and often-uproarious class-conscious satire, Parasite falls slightly short of Bong’s greatest work.
    • 94 Metascore
    • 83 Bradley Warren
    Faces Places
    The collaborative energy between the two makes for an endlessly charming documentary, as “Faces Places” manages to look forwards and backwards with touching insight.
    • 88 Metascore
    • 83 Bradley Warren
    Quest
    It is Olshefski’s humanist portraiture of one family’s quotidian lives that is certain to stir audiences.
    • 87 Metascore
    • 100 Bradley Warren
    Pain and Glory
    A beautiful, full-hearted celebration of the craft of filmmaking.
    • 86 Metascore
    • 91 Bradley Warren
    Museo
    It’s an endlessly entertaining, challenging investigation of history that confirms Ruizpalacios’ status as the next big thing in Mexican cinema.
    • 85 Metascore
    • 100 Bradley Warren
    The Rider
    Focusing on the indigenous community of the Pine Ridge reservation, Zhao reimagines the entrenched masculine persona of the cowboy. The result is an entrancing, deeply moving effort, one that is certain to steal the hearts of audiences on its wider release.
    • 82 Metascore
    • 91 Bradley Warren
    Sorry We Missed You
    As typical as it may sound from the outside, tender and devastating in turn, “Sorry We Missed You” is essential viewing.
    • 82 Metascore
    • 75 Bradley Warren
    Bacurau
    There may not be a map for navigating this gonzo film, but nevertheless, Bacurau is a blood-soaked adventure worth seeking out.
    • 81 Metascore
    • 75 Bradley Warren
    Western
    Unlike traditional Westerns that depict a historical moment. the movement of people and money in Europe remains in flux, and consequently, so does this new breed of cowboy.
    • 80 Metascore
    • 91 Bradley Warren
    Claire's Camera
    If Hong is often a filmmaker who can be accused of making the same movie over and over again, this latent muse brings a veritable freshness to his output by offering an emotional gravity that hadn’t significantly figured into his creative sphere.
    • 79 Metascore
    • 75 Bradley Warren
    Nobody's Watching
    Despite some flat moments, Nobody’s Watching is consistently engrossing,
    • 79 Metascore
    • 42 Bradley Warren
    Let the Sunshine In
    All in, the film is an unprecedented misfire for Denis.
    • 79 Metascore
    • 100 Bradley Warren
    Suspiria
    As visceral and invigorating as classics like “Deep Red” or “The Bird with the Crystal Plumage” might be, they aren’t a patch on 1977’s Suspiria.
    • 78 Metascore
    • 75 Bradley Warren
    Diego Maradona
    Kapadia’s tight focus and compelling viewpoint make “Diego Maradona” a must-see for soccer fans, and certainly a biographical doc of interest to wider audiences.
    • 77 Metascore
    • 91 Bradley Warren
    24 Frames
    24 Frames snaps still-life photography out of its stasis, giving its images a brief history and miniature stories, even if it’s just the movement of cows in and out of a shot.
    • 77 Metascore
    • 75 Bradley Warren
    Grass
    For all the artists that populate Hong’s cinematic universe, the director has yet to foreground the creative psyche in as thought-provoking of a manner as he does in Grass.
    • 77 Metascore
    • 75 Bradley Warren
    First Love
    While not quite arriving at the delirious cult highs of a classic like “Ichi the Killer,” “First Love” is Miike’s most accessible work in years.
    • 76 Metascore
    • 58 Bradley Warren
    Lady Macbeth
    Underneath the dark humor and holistic mise en scène, there remains the nagging suspicion that what is onscreen is — in spite of the film’s best intentions — another patriarchal interpretation of Lady Macbeth.
    • 76 Metascore
    • 91 Bradley Warren
    The Whistlers
    This comedic thriller is witty and diverting without selling out on the Romanian reputation of thoughtful, challenging work.
    • 75 Metascore
    • 83 Bradley Warren
    Yourself and Yours
    Yourself and Yours lacks the narrative intricacy of the South Korean filmmaker’s most celebrated work but nonetheless serves as a charming introductory point for unfamiliar audiences.
    • 73 Metascore
    • 67 Bradley Warren
    In This Corner of the World
    Unfortunately, some fumbled melodrama and the thorny issue of nationalism that hung over Hayao Miyazaki’s “The Wind Rises” compromise the finer impulses in In This Corner of the World.
    • 72 Metascore
    • 58 Bradley Warren
    One Week and a Day
    One Week And A Day is at times a genuinely funny diversion amongst the Critic’s Week selection. However, a sentimental streak and a series of precocious narrative turns diminish the impact of the film.
    • 72 Metascore
    • 75 Bradley Warren
    The Prayer
    For the most part, Kahn’s latest effort is a tenderly observed portrait of the transformative power of religion, even if it occasionally fails to convince.
    • 70 Metascore
    • 91 Bradley Warren
    Cocote
    Cocote is an entirely different beast—a challenging watch that swings from the avant-garde to an ethnographic model of filmmaking.
    • 68 Metascore
    • 91 Bradley Warren
    BuyBust
    The world of the film is bracingly immediate and constantly overflowing—dubious sound design or a shift in image quality, while glaring, can’t puncture the holistic nightmare of Matti’s vision.
    • 68 Metascore
    • 83 Bradley Warren
    Deerskin
    A hilarious and twisted festival amuse-bouche with tremendous cult appeal.
    • 68 Metascore
    • 75 Bradley Warren
    The Third Murder
    The Third Murder functions well as a topical genre detour for the acclaimed director, but a degree of incongruity between the demands of the procedural formula and Kore-eda’s usual languid pacing keep the film from reaching the upper echelons of his greatest work.
    • 66 Metascore
    • 42 Bradley Warren
    Tommaso
    Unfortunately, “Tommaso” is far more navel-gazing and long-winded than intimate, in as much of a creative funk as its protagonist.
    • 66 Metascore
    • 83 Bradley Warren
    Young Ahmed
    Absent from Young Ahmed is the frenetic urgency that defines the directors’ greatest work, replaced here by the titular character’s unshakable tunnel vision.
    • 64 Metascore
    • 58 Bradley Warren
    Ready or Not
    With the bar for breakout genre flicks being set so high in recent years, one can’t help but feel that Radio Silence is capable of something more substantial and memorable in its craft. Like most of Grace and Alex’s wedding gifts, Ready or Not is certainly diverting but hardly essential.
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