Bradley Warren

Select another critic »
The Playlist
For 48 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

Bradley Warren's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Suspiria
Lowest review score: 0 Jeannette: The Childhood of Joan of Arc
Score distribution:
  1. Positive: 31 out of 48
  2. Mixed: 15 out of 48
  3. Negative: 2 out of 48
48 movie reviews
view
per page
    • 64 Metascore
    • 58 Bradley Warren
    Ready or Not
    With the bar for breakout genre flicks being set so high in recent years, one can’t help but feel that Radio Silence is capable of something more substantial and memorable in its craft. Like most of Grace and Alex’s wedding gifts, Ready or Not is certainly diverting but hardly essential.
    • 59 Metascore
    • 50 Bradley Warren
    Sibyl
    A flimsy, unremarkable story of obsession.
    • 66 Metascore
    • 42 Bradley Warren
    Tommaso
    Unfortunately, “Tommaso” is far more navel-gazing and long-winded than intimate, in as much of a creative funk as its protagonist.
    • 53 Metascore
    • 50 Bradley Warren
    The Dead Don't Die
    As a film, it shuffles around, shouting out the one thing it’s desperate for: ‘Purpose!’
    • 49 Metascore
    • 58 Bradley Warren
    Mobile Homes
    It’s a very watchable — if occasionally frustrating— first effort, but one hopes that the director will carve out more original territory with his second film, regardless of where he settles.
    • 45 Metascore
    • 42 Bradley Warren
    Our House
    Our House, doesn’t set its ambitions much higher than the VOD market, and its haunting is passable if not all that spooky.
    • 49 Metascore
    • 58 Bradley Warren
    7 Days in Entebbe
    There is a more polemic, thought-provoking work somewhere in 7 Days in Entebbe, held hostage by its commercial appeal.
    • 59 Metascore
    • 50 Bradley Warren
    Realive
    Though undeniably watchable...Mateo Gil’s film fails to rise above the well-trodden genre film language nor does it meaningfully contribute to its central existential questions on mortality .
    • 79 Metascore
    • 42 Bradley Warren
    Let the Sunshine In
    All in, the film is an unprecedented misfire for Denis.
    • 72 Metascore
    • 58 Bradley Warren
    One Week and a Day
    One Week And A Day is at times a genuinely funny diversion amongst the Critic’s Week selection. However, a sentimental streak and a series of precocious narrative turns diminish the impact of the film.
    • 44 Metascore
    • 50 Bradley Warren
    Don't Swallow My Heart, Alligator Girl!
    Bragança’s ambitions exceed his reach, and Don’t Swallow My Heart fails to reconcile its various story strands, conflicting tones and genre aspirations.
    • 43 Metascore
    • 58 Bradley Warren
    Tank 432
    If the film’s climax comes off as thematically clear — an outgrowth of the tension heretofore developed — it otherwise leaves an aftertaste of slightness.
    • 76 Metascore
    • 58 Bradley Warren
    Lady Macbeth
    Underneath the dark humor and holistic mise en scène, there remains the nagging suspicion that what is onscreen is — in spite of the film’s best intentions — another patriarchal interpretation of Lady Macbeth.
    • 56 Metascore
    • 58 Bradley Warren
    Tom of Finland
    While often hamstrung by genre conventions, particularly in the picture’s first half, Tom of Finland is a passable entry into the LGBT film canon and largely successful in selling the subcultural relevance of the eponymous artist’s beefcake drawings.
    • 64 Metascore
    • 50 Bradley Warren
    The Villainess
    The Villainess confounds its audience on two levels: firstly, how the filmmakers pulled off the elaborate set pieces and secondly, leaving them to wonder what the hell is going on in the plot.

Top Trailers

See all »
See all trailers »