Brad Wheeler

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The Globe and Mail (Toronto)
For 351 reviews, this critic has graded:
  • 63% higher than the average critic
  • 4% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 1 point higher than other critics. (0-100 point scale)

Brad Wheeler's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Listen to Me Marlon
Lowest review score: 0 War Room
Score distribution:
  1. Positive: 260 out of 351
  2. Mixed: 49 out of 351
  3. Negative: 42 out of 351
351 movie reviews
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    • 37 Metascore
    • 50 Brad Wheeler
    The Girl King
    Malin Buska – the Swedish Kirsten Dunst? – is highly watchable as the Descartes-loving ruler, but Canada’s Sarah Gadon as the sheet-warming lady-in-waiting is given little to do but look naive and dumbstruck.
    • 65 Metascore
    • 50 Brad Wheeler
    Speed Sisters
    This half-throttle documentary might better be called The Fast and the Uneventful.
    • 55 Metascore
    • 50 Brad Wheeler
    Bethany Hamilton: Unstoppable
    Other than keeping Hamilton’s name out there and giving her brand exposure, Unstoppable stops short of making a compelling case for itself.
    • 43 Metascore
    • 50 Brad Wheeler
    Clara
    The well-acted Clara lacks clarity, and there’s nothing worse than an out-of-focus telescope.
    • 61 Metascore
    • 50 Brad Wheeler
    Once Were Brothers: Robbie Robertson and The Band
    The Robertson-authorized Once Were Brothers is an account of The Band’s rise and fall, as remembered by the titular guitarist, chief songwriter and excellent raconteur.
    • 51 Metascore
    • 50 Brad Wheeler
    Middle School: The Worst Years of My Life
    Ironically, Middle School’s message is about encouraging kids and grown-ups to think outside the box and yet, the filmmakers themselves do precisely the opposite.
    • 45 Metascore
    • 50 Brad Wheeler
    Madame
    The so-so film’s soul and saving grace is Rossy de Palma, the Picasso-esque muse of filmmaker Pedro Almodóvar, who steals the show and, as the family maid, the heart of a British art dealer.
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