Bosley Crowther

Mr. Kramer has brilliantly directed a strong and responsive cast, headed by Gregory Peck as the submarine commander and Ava Gardner as the worldly woman who craves his love. Miss Gardner is remarkably revealing of the pathos of a wasted life. Fred Astaire is also amazing as the cynical scientist, conveying in his self-effacing manner a piercing sense of the irony of his trade.

The picture achieves its distinction through the smart way in which it has been made and through the quality of its representation of two passion-torn characters.

Oddly enough, despite its opulence, coupled with a brilliant rendering of the score by the Royal Philharmonic Orchestra under Sir Thomas Beecham's bristling baton and some masterly singing of the libretto (in English) by a host of vocal cords, this film version of the opera is, in toto, a vastly wearying show.

This one is so thoroughly mystifying that we wonder whether Mr. Bergman himself knew what he was trying to say.

Call it a mystery melodrama...Call it a courtroom tragi-romance or a husband-wife problem play. Call it, indeed, a social satire and you won't be entirely wrong. For it's all of these things rolled together in one fitfully intriguing tale, smoothly told through a cultivated camera.

Thanks to Mr. Stevens' brilliant structure and handling of images, every scene and every moment is a pleasure. He makes "picture" the essence of his film.

Burl Ives, Paul Newman, Elizabeth Taylor, Judith Anderson, Jack Carson and two or three more almost work and yell themselves to pieces making this drama of strife within a new-rich Southern family a ferocious and fascinating show. And what a pack of trashy people these accomplished actors perform!

An amiable little romance in which a boy meets a girl at Christmas-time, and the sentiments are quite as artificial and conveniently sprinkled as the snow is provided—for those who like such things—in RKO's Holiday Affair.

There is nothing wrong with the music—except that it does not fit the people or the words. But that did not seem to make much difference to Mr. Hammerstein or Mr. Preminger. They were carried away by their precocity. The present consequence is a crazy mixed-up film.

To put it mildly, Mr. Hitchcock and his writers have really let themselves go. Melodramatic action is their forte, but they scoff at speed limits this trip.

A curiously flat and fragmentary visualization of the original.

Say this, in sum, for "Breathless": it is certainly no cliché, in any area or sense of the word. It is more a chunk of raw drama, graphically and artfully torn with appropriately ragged edges out of the tough underbelly of modern metropolitan life.

Mr. Stevens has done a superb job of putting upon the screen the basic drama and shivering authenticity of the Frances Goodrich-Albert Hackett play, which in turn caught the magnitude of drama in the real-life diary of a Jewish girl.

The charm of his picture lies in the casual kookiness of his characters, plus the random and childlike unreality of the lovely, fragile, dead-panned Miss Deneuve.

In this very lean and sensible screen transcription of Fred Gipson's children's book, adapted by himself and William Tunberg, a warm, appealing little rustic tale unfolds in lovely color photography. Sentimental, yes, but also sturdy as a hickory stick.

On that simple framework and familiar story line, director Kurosawa has plastered a wealth of rich detail, which brilliantly illuminates his characters and the kind of action in which they are involved. He has loaded his film with unusual and exciting physical incidents and made the whole thing graphic in a hard, realistic western style.

The story is so imitative—and is repeated so dutifully—that it's hard to feel any more towards it than a mildly nostalgic regard.

In spite of some disconcerting lapses and strange ambiguities in the creation of the principal character, Citizen Kane is far and away the most surprising and cinematically exciting motion picture to be seen here in many a moon. As a matter of fact, it comes close to being the most sensational film ever made in Hollywood.

I don't want to give you the impression that The Thrill of It All is a great film. I just want to tell you it is loaded with good, clean American laughs.

What they have done with West Side Story in knocking it down and moving it from stage to screen is to reconstruct its fine material into nothing short of a cinema masterpiece...In every respect, the recreation of the Arthur Laurents-Leonard Bernstein musical in the dynamic forms of motion pictures is superbly and appropriately achieved.

Shane contains something more than beauty and the grandeur of the mountains and plains, drenched by the brilliant Western sunshine and the violent, torrential, black-browed rains. It contains a tremendous comprehension of the bitterness and passion of the feuds that existed between the new homesteaders and the cattlemen on the open range.

One of the most lively and up-to-date comedy-romances of the year.

Mr. Huston has shaped a searching drama of the collision of civilization's vicious greeds with the instinct for self-preservation in an environment where all the barriers are down. And, by charting the moods of his prospectors after they have hit a vein of gold, he has done a superb illumination of basic characteristics in men. One might almost reckon that he has filmed an intentional comment here upon the irony of avarice in individuals and in nations today...But don't let this note of intelligence distract your attention from the fact that Mr. Huston is putting it over in a most vivid and exciting action display.

For all this film's mighty pretensions, it does not get far beneath the skin of its conventional Western situation and its stock Western characters. It skims across standard complications and ends on a platitude.

All I can tell you is it is quite a trip. Fortunately, all of the voyaging is done in the northern hemisphere.

If you're for warm and gentle whimsey, for a charmingly fanciful farce and for a little touch of pathos anent the fateful evanescence of man's dreams, then the movie version of "Harvey" is definitely for you.

Naïve, ludicrous, sublime and heartbreaking masterpiece of American folk drama.

Everyone works hard at the business of singing, dancing and cracking jokes, but the stuff that they work with is minor.