Bobby LePire

Little Deaths is an engaging little thriller with a great ending. While there are a few scenes that don’t wholly work, Romeo and Leotta keep viewers engaged thanks to their performances. The stellar music stands out as well, as does the final sequence which is more moving than expected.

Sleep No More may not be flawless, but it is a solid and entertaining watch. The pacing is mostly excellent as things move so fast audiences barely have time to breathe. The cast is phenomenal and makes even underwritten parts feel whole. [2024 re-release]

The motion picture skates just above average, thanks to the well-done action and cinematography. The cast tries to overcome their underwritten parts but succeeds only some of the time. Grammer and Dauqin are very compelling, and fans of theirs will be pleased.

Rally Caps works where it counts: the friendship between Jordy and his new teammates. The inspirational aspect pulls hard at the heartstrings because Cipolla’s script carefully sets up Jordy and his dilemmas.

Gateway isn’t the next new face of horror. But it is a visually dense fright fest with a solid cast. While it is a little long, Owens proves he has what it takes to succeed.

Apocalypse Clown is a little too serious to work as a comedy, and a bit too comedic to work as drama. But the writers have paid attention to their narrative and have ensured that every plot strand comes together at the end. Plus, the cast, especially Palamides, is really terrific.

The Last Stop In Yuma County is a stylish, great-looking noir with an excellent cast.

The comedy and drama balance each other well, while the varying styles create a wholly unique work of art that perfectly captures the uncertainty of the beginnings of quarantine.

Ruby’s Choice has a few issues that prevent it from being great on all fronts. But most of the plot is interesting, and the ending is perfect. The cast, led by a stunning Jane Seymour, excels and outshines the occasionally wonky writing and voice-over.

Despite missing some needed scenes to carry forward the lead’s emotional throughline, this is a good film that is sure to resonate with its core demographic.

Hard Miles is standard fare, but it is well-made. The cinematography is fantastic, capturing the rush of freedom a bike can offer. The score is also a great addition. The cast is solid, and the story is a sweet, engaging affair.

While Villains Inc. is overstuffed with ideas and story threads, it’s a fun and funny ride that’s worth your time. The cast, led by the ever-capable Everton, is a shining example of comedic talent. Each actor’s impeccable timing and seamless interaction with one another make for a delightful viewing experience.

The Brink Of is a darn good film. The cast is great, and the songs are even better. What more does one need from a dramatic musical romance?

Easter Bloody Easter starts off rocky, and not every joke lands. However, due to the sheer number of punchlines, the hit-to-miss ratio is high. The leads thoroughly understand the material and deliver perfectly calibrated performances to match the intentional cheese of the plot. In the pantheon of Easter horror films, this is a good one to rewatch every spring.

Yuni is a beautiful, tender film with strong characterizations. The cast is excellent, and the subtle direction reinforces Yuni’s overwhelming feelings.

Terezin is a compelling WWII tale that finds a new way to approach the evils the Nazis perpetuated upon an undeserving people. The direction is splendid, and the cast is magnificent.

578 Magnum does not tell a fresh tale, and the editing leaves a lot to be desired. But Dinh delivers where it counts: the action. The action scenes are stellar and will take the audience’s breath away. The cast is also great and delivers their martial arts with intensity.

Porcelain War is an engaging, timely look at art, war, homeland pride, and the resilience of the human spirit. While it is not subtle, it is impactful and never dull.

Popular Theory is an amusing film with just enough heart to be more than a one-time watch.

The director walks the delicate tightrope of emotions so that every new development makes previous scenes all the more intense

Good One is a carefully crafted character study. It’s brought to life by perfectly calibrated performances, led by the young but brilliant Lily Collias. This is one hike everyone should experience.

Veni Vidi Vici is doing a lot, but the filmmakers make it all work. Their strict control of the comedy hits the perfect dark tone. The cast is tons of fun, while the writing is a sharp takedown of politics and power in modern-day Austria.

Skywalkers: A Love Story is riveting and engrossing. The cinematography is beautiful, capturing the wonder and danger of being so high. The editing is sublime.

Miller’s Girl is a stunning debut from Bartlett. The plot is winding and intriguing, with an absolute gut punch of an ending.

The screenplay has a lot it wants to say and does so in a fun, murderous way lined with wicked humor. All the actors understood the assignment and successfully pull off their roles.

The Naughty Nine is a breath of fresh air from the usual holiday fare. Yes, it still has that feel-good message that so many Christmas titles have, but it goes about it uniquely.

Into The Weeds is a most satisfying but frustrating experience. The satisfaction comes from how well-made and engrossing the film proves to be. The frustrations lie in the true story being documented.

Five Nights At Freddy’s has flaws, but it is an excellent adaption. It feels like the game while still being accessible to any newcomers by crafting an original story.