Bob Graham
Select another critic »For 234 reviews, this critic has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this critic grades 1.8 points lower than other critics.
(0-100 point scale)
Bob Graham's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | The Corruptor | |
| Lowest review score: | The Cell | |
Score distribution:
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Positive: 127 out of 234
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Mixed: 71 out of 234
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Negative: 36 out of 234
234
movie
reviews
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- Bob Graham
The stuff of high romance, brought off with considerable wit, too. People are going to love it.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
It is well-made in an old-fashioned way, and its straight-arrow lack of cynicism may be old- fashioned as well.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Cube falls into the dreaded trap of allegory -- aaaaaargh! -- and the clunky dialogue makes a midnight bull session seem brilliant by comparison.- San Francisco Chronicle
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- Bob Graham
Straddles a number of genres -- horror film, lovers on the lam, fairy tale -- and gives them all a cool, knowing spin.- San Francisco Chronicle
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- Bob Graham
It is not merely a thriller but a shocker. It will separate hard-core Jet Li followers from the fair-weather fans.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Some will say this film is overly ambitious, but what the hell. The man put five years of his life into making this epic mystery. We can surely give it two hours of ours.- San Francisco Chronicle
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- Bob Graham
It's hardly possible to overstate what a welcome change of pace The Shipping News is for admirers of Kevin Spacey.- San Francisco Chronicle
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- Bob Graham
It's an audacious little comedy with bursts of hilarity and a certain giddy energy.- San Francisco Chronicle
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- Bob Graham
The Corruptor' quickly turns into a good bad-cop drama of fascinating moral complexity.- San Francisco Chronicle
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- Bob Graham
A crackerjack combination of live action, special effects and recycled footage.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
A potential problem with the movie is that it can be a challenge watching people hand-wringing over moral decisions. But the acting is so good that it makes it worth sticking with during the slow patches.- San Francisco Chronicle
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- Bob Graham
The dialogue is loaded with depth charges that take a while to explode beneath the surface.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
This gory parody hits television where it hurts -- and draws blood. It will bring joy to the heart of anyone who hates TV.- San Francisco Chronicle
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- Bob Graham
De Palma seems to be trying too hard to make somebody else's great movie, once again an Alfred Hitchcock movie. Would someone please tell this guy to relax?- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Faye's presence provides an unexpected context for the photographer's circle, where the gay and straight worlds overlap, and adds a delightful dimension to Chop Suey.- San Francisco Chronicle
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- Bob Graham
The picture, directed by Rick Famuyiwa, becomes a juggling act, contrasting the efforts of the three grown-up buddies to get to a wedding on time, with flashbacks of their youth.- San Francisco Chronicle
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- Bob Graham
Not a routine cut-and-paste horror but a full-fledged revenge fantasy -- and a completely satisfying one.- San Francisco Chronicle
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- Bob Graham
Serendipity is a throwback to a more innocent era in American life, 25 days ago.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Action in an action comedy is supposed to be funny, too, as Jackie Chan well knows. The refitting of the crashed plane is so tedious we feel as if we're doing the work ourselves.- San Francisco Chronicle
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- Bob Graham
Goes Hitchcock one better by imagining what it would be like if the master had the advantage of digital technology.- San Francisco Chronicle
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- Bob Graham
In special effects, Lucas has moved a galaxy beyond. In energy, not yet.- San Francisco Chronicle
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- Bob Graham
The new Planet of the Apes is not a remake, and it's not a sequel. It is an amazing display of imagination.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
It would be nice to say that Blast From the Past is, but it ain't exactly. Half-blast is more like it.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Poetry, lesbian sex and murder might be a killer combination if a deadly pace weren't included in the mix.- San Francisco Chronicle
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- Bob Graham
The good ol' Jim Carrey we knew and loved is back, rude, crude and unglued.- San Francisco Chronicle
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- Bob Graham
It is the Eddie Murphy movie where Eddie Murphy has next to nothing to do. Do little says it all.- San Francisco Chronicle
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- Bob Graham
The first half-hour of this movie is sensational, creating an atmosphere of dread that any horror master would envy.- San Francisco Chronicle
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- Bob Graham
This half-baked sci-fi horror film, filled with jerky, washed-out, highlighted, blurred and toned imagery, is a tiresome experience.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Most of the right laughs in most of the right places and some unexpected ones thrown in.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
The scary thing about this spoof of '90s teen horror movies is how funny it is.- San Francisco Chronicle
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- Bob Graham
The film is well shot and has titillating action without a single persuasive emotion.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
The movie's gimmick for airing the contents of a woman's head is not unlike that used for the dogs and tots in those "Look Who's Talking" movies.- San Francisco Chronicle
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- Bob Graham
Beat Takeshi fans wouldn't think of missing this one. Moviegoers who hate violence wouldn't be caught dead at it.- San Francisco Chronicle
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- Bob Graham
For quite of few of The Whole Nine Yards, it appears that the most clever thing in the movie is going to be the opening credits, monstrous close-ups of the morning toothbrushing routine.- San Francisco Chronicle
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- Bob Graham
Curiously enough plays like a 90-minute version of the old television show. That's not necessarily bad.- San Francisco Chronicle
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- Bob Graham
It is never less than interesting. But who wants interesting from a movie called Cats & Dogs? It needs to grab the audience by the scruff of the neck and shake it.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
It's got unpredictable plot twists and unexpected laughs coming out of dark corners. The sharp-edged film also looks terrific.- San Francisco Chronicle
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- Bob Graham
A comedy of interracial wariness and misunderstanding marked by a refreshing lack of sappiness.- San Francisco Chronicle
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- Bob Graham
Kline, in particular, has the spark and know-how to overcome some awfully belabored writing and situations.- San Francisco Chronicle
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- Bob Graham
But the single most compelling performance may belong to Australian actor Guy Pearce.- San Francisco Chronicle
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- Bob Graham
Brothers Oxide and Danny Pang co-directed. What they lack in discipline they make up in razzle-dazzle, even if it sometimes is pointless.- San Francisco Chronicle
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- Bob Graham
The show takes little more than an hour to finish and less than a minute to forget, while politely reminding us not only that gay movies have fallen on hard times but also that they refuse to give up.- San Francisco Chronicle
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- Bob Graham
The specifics of their predicament are well handled -- being thrown in a Third World prison may be every tourist's nightmare -- even if the movie eventually goes soft and squishy.- San Francisco Chronicle
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- Bob Graham
It comes down to a pair of appealing performers in a series of bad-relationship skits.- San Francisco Chronicle
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- Bob Graham
The comic drama is refreshingly anti- sentimental but will break your heart anyway.- San Francisco Chronicle
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- Bob Graham
Astonishing visualizations of the afterlife are coupled with a drawn-out allegory about communication between the living and the dead that becomes something of a trial to sit through.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
It is impossible to think of anyone but Costner in this role. His commitment and sincerity are never in doubt.- San Francisco Chronicle
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- Bob Graham
The warning against actors playing with dogs or children should be expanded to include men in gorilla suits.- San Francisco Chronicle
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- Bob Graham
A mannerless, styleless brute, Bullock's Grace Hart is Eliza Doolittle in sweats.- San Francisco Chronicle
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- Bob Graham
Cage gives a performance that invites audiences to lay cynicism aside in a romantic fable.- San Francisco Chronicle
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- Bob Graham
Delivers plenty of laughs and succeeds on a level that recent ``SNL'' movies (``It's Pat!'' and ``A Night at the Roxbury'') didn't.- San Francisco Chronicle
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- Bob Graham
If it doesn't always come off, enough headlong energy develops to carry it through.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
The lead actors on both sides of the vampire divide are all strong personalities.- San Francisco Chronicle
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- Bob Graham
There are barrages of fast cuts to distract us from the fact that the director is showing us no real action.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
It's good for a few guffaws and chuckles, but in between the screen has a tendency to stretch at the corners and go flat.- San Francisco Chronicle
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- Bob Graham
A daring, free-spirited and ultimately moving performance by Benjamin Bratt lies at the beating heart of Pinero.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
Not half-bad. It's about three- quarters bad, actually, but what's left offers some goof-off fun.- San Francisco Chronicle
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- Bob Graham
There are times when watching this film is like a near-death experience.- San Francisco Chronicle
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- Bob Graham
Don't even try to make any sense of this --none of it elicits a moment of genuine concern.- San Francisco Chronicle
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- Bob Graham
The thriller is populated by the usual dimwits who stumble into horrific situations and don't have the good sense to leave, and it tries to pass off some of the sorriest excuses for zombies ever seen.- San Francisco Chronicle
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- San Francisco Chronicle
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- Bob Graham
The ridiculous complications might have worked if there had been an awareness of how absurd they are.- San Francisco Chronicle
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- Bob Graham
The no-sweat clunkiness of the detective plot becomes kind of charming.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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