BJ Colangelo

I Saw the TV Glow is both a musing on the way entertainment (and screens in particular) will step in to fill the gaps left by poor emotional regulation and support from those who are supposed to help children grow and thrive to become capable, fully-realized adults and how exclusively escaping into worlds of fiction rather than fighting the very real monsters of the week in your own mind will only hold you back.

If there's any true criticism to be found with In A Violent Nature, it's that the "Friday the 13th" and "Texas Chain Saw Massacre" video games exist, diluting the inventiveness of the first-person perspective a little bit. But for those who've never played those games, In A Violent Nature will feel wholly unique. Fortunately, even if you have played these games, the film is still a hell of a lot of fun.

Traditionally, films that are this delightfully raucous, bloody (and I mean BLOODY), and silly are relegated to B-movie schlock (not a bad thing, for the record), but "Abigail" still embraces the excessive and ornate gothic aesthetics of classic horror movies. The result is an old-school vampire movie with modern frisk and flair and an absolute blast of a movie to watch with a crowd.

Cuckoo is equal parts head-scratcher and mind-blower but so ridiculously audacious that it's impossible not to obsess over.

Vera Drew is both the unstoppable force and the immovable object, and we should all be so lucky to bear witness to her madness. The only sensible way to live in this world is without rules, and The People's Joker refuses to follow any of them.

Damsel lives and dies by the performance of Elodie and thankfully, Millie Bobby Brown establishes herself as the new Mother of the Dragons. She expertly finds the balance between a terrified woman thrown into an unthinkable circumstance, and a fighter unwilling to give up when things get tough.

It's as if Diablo Cody and Zelda Williams took Sprouse's "I'm a weirdo" speech from "Riverdale" and turned it into an entire movie to prove the point. For all of its fantastical elements of undead boyfriends and tanning bed magic, there's a genuine message about how ungodly difficult it is to be a teenage girl in all of its forms, but that gallows humor is one of the strongest coping mechanisms to employ.

The film is a fun and totally fetch amalgamation of both eras of Cady, Regina, Gretchen, Karen, Janis, and Damian.

The Iron Claw is an emotionally eviscerating watch anchored by one of the best ensemble casts of the year.