For 41 reviews, this critic has graded:
  • 82% higher than the average critic
  • 2% same as the average critic
  • 16% lower than the average critic
On average, this critic grades 8.7 points higher than other critics. (0-100 point scale)

BJ Colangelo's Scores

  • Movies
  • TV
Average review score: 74
Highest review score: 100 Furiosa: A Mad Max Saga
Lowest review score: 40 Five Nights at Freddy's 2
Score distribution:
  1. Positive: 35 out of 41
  2. Negative: 0 out of 41
41 movie reviews
    • 55 Metascore
    • 50 BJ Colangelo
    This is not an adaptation of "Wuthering Heights," but the result of what happens when you're playing an approximation "Wuthering Heights" without a full grasp on the material but all the money in the world to bring your questionable imagination to life.
    • 54 Metascore
    • 65 BJ Colangelo
    The original "M3GAN" was a drag show. "M3GAN 2.0" is a drag show where a straight bachelorette hijacks the VIP table. But since she tips well, is a respectful ally, and has a non-ironic appreciation for "Above the Law," she can stay.
    • 53 Metascore
    • 40 BJ Colangelo
    As a movie, It Ends With Us is an infuriating, emotionally manipulative watch and a disservice to the talents of every actor involved.
    • 53 Metascore
    • 65 BJ Colangelo
    This version of Nani and Lilo's relationship is far closer to reality, which makes the heartstring-pulling snap back with even more intensity. In a cute albeit sanitized reimagining, the bond of these sisters is the one thing that cannot be broken.
    • 52 Metascore
    • 70 BJ Colangelo
    Over Your Dead Body pulls off the magic trick of bringing exploitation cinema into a timeline that's a walking parody of itself, delivering one of the bloodiest and most entertaining films of the year.
    • 47 Metascore
    • 85 BJ Colangelo
    It's as if Diablo Cody and Zelda Williams took Sprouse's "I'm a weirdo" speech from "Riverdale" and turned it into an entire movie to prove the point. For all of its fantastical elements of undead boyfriends and tanning bed magic, there's a genuine message about how ungodly difficult it is to be a teenage girl in all of its forms, but that gallows humor is one of the strongest coping mechanisms to employ.
    • 45 Metascore
    • 40 BJ Colangelo
    Produced by horror legend Sam Raimi and a remake of the Argentinian film "4x4," your mileage may vary with "Locked," an intimate piece with dedicated performances and a weirdly relatable thematic core, but thrills leaving much to be desired.
    • 43 Metascore
    • 45 BJ Colangelo
    The Strangers didn't need these horror tropes to become a sensation, so it's very odd to see them shoehorned into this new trilogy.
    • 42 Metascore
    • 70 BJ Colangelo
    If you're on the fence at all, there is a mid-credits sequence that truly leaves the mid-credits made mandatory by the Marvel Cinematic Universe dead in the dirt and is so damn good that it completely recontextualizes the tone of the movie that came before.
    • 41 Metascore
    • 80 BJ Colangelo
    With Sullivan's phenomenal performance and Stuckmann's keen eye, Shelby Oaks allows us to witness the start of one of the most promising new voices in horror.
    • 26 Metascore
    • 40 BJ Colangelo
    It's a shame that Five Nights at Freddy's 2 is such a bloated mess, because it has all of the elements to be a truly special gateway horror film franchise. The new animatronics are genuinely jaw-dropping, Megan Fox voicing Chica is a real delight, the jump scares are effective, the Easter eggs are well-placed, and for a brief moment, when we finally get Mike in the security office (essentially bringing the video game into beat-by-beat live action), the movie absolutely soars. But Cawthon's script is a disaster, and it's one that I cannot in good conscience defend, even as someone who shockingly could make sense of it, having consumed hours of fan theories over the years.

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