Billie Walker

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Little White Lies
For 8 reviews, this critic has graded:
  • 25% higher than the average critic
  • 0% same as the average critic
  • 75% lower than the average critic
On average, this critic grades 20.6 points lower than other critics. (0-100 point scale)

Billie Walker's Scores

  • Movies
  • TV
Average review score: 45
Highest review score: 80 Good Boy
Lowest review score: 20 The Strangers: Chapter 3
Score distribution:
  1. Positive: 1 out of 8
  2. Mixed: 5 out of 8
  3. Negative: 2 out of 8
8 movie reviews
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    • 76 Metascore
    • 40 Billie Walker
    Hokum
    Despite the heavy metaphors and emotionally weighted hauntings, there’s nothing new here – it’s all painfully dull and familiar horror territory.
    • 63 Metascore
    • 50 Billie Walker
    Heel
    Despite Boon matching Graham’s quiet intensity and Riseborough’s low frequency depression with a gnashing rebellious streak, the three performances can’t lift The Good Boy from the limitations of its own tethered melodrama.
    • 40 Metascore
    • 40 Billie Walker
    The Carpenter's Son
    Though not beyond salvaging as The Carpenter’s Son offers some moments of biblical horror, including an Hieronymus Bosch-like depiction of hell, it doesn’t succeed in pushing past mild discomfort. There is still not enough to drag it down into truly blasphemous depths.
    • 28 Metascore
    • 50 Billie Walker
    The Strangers: Chapter 2
    In order to fill the measly 96-minute run time, there are many flashbacks, both from Maya’s perspective and from the killers as children, arguably making them ​‘strangers’ no longer. These flashbacks repeatedly hamper the film, knocking the thrill out of its pace and entertainment.
    • 67 Metascore
    • 50 Billie Walker
    The Life of Chuck
    Despite all its layers The Life of Chuck is nothing more than a set of Russian nesting dolls made entirely of borrowed brilliance.

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