For 178 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Bill White's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Holy Mountain
Lowest review score: 0 Underclassman
Score distribution:
  1. Negative: 21 out of 178
178 movie reviews
    • 64 Metascore
    • 75 Bill White
    Where other documentarians look for a charismatic personality to enliven their films, Berlin and Fab focus on the community as a whole.
    • 49 Metascore
    • 67 Bill White
    The cast is perfect, but the script is like a low ceiling, keeping a lid on what should have been a confluence of riotous misadventures.
    • 51 Metascore
    • 25 Bill White
    Before the movie reaches its climax, it has created a mess that requires divine intervention.
    • 65 Metascore
    • 75 Bill White
    Suffers from a simplistic reductionism that suggests buying from local organic farmers might help avert the possibility of a worldwide famine triggered by Monsanto's suicide gene. It is a noble and quaint solution to a situation that won't be easily swayed by consumer votes.
    • 74 Metascore
    • 75 Bill White
    The embittered men make fascinating subjects.
    • 64 Metascore
    • 75 Bill White
    A deviously delightful entertainment.
    • 54 Metascore
    • 42 Bill White
    Not a moment rings true in this sentimental drama.
    • 55 Metascore
    • 75 Bill White
    Yes
    From the floating particles of dirt that open the film to the final image of a man and woman on a beach, Yes insists that we live with our mistakes since there is no escaping them.
    • 50 Metascore
    • 50 Bill White
    As sketch comedy, The Ten often is imaginative and sometimes hilarious...Still, like precursors from "The Groove Tube" to "Jackass," it doesn't make for much of a movie.
    • tbd Metascore
    • 67 Bill White
    The life of a prison guard is dull, no matter who is in the cell. Director Bille August makes what he can of this material, always holding our interest but never fulfilling the promise of a close encounter with one of the 20th century's most controversial leaders.
    • 69 Metascore
    • 83 Bill White
    Margaret Brown's honest and non-judgmental film captures the artist's high and low points, from early appearances on regional television shows such as "Nashville Now" to the drunken and disorderly performances that defined his later years.
    • 38 Metascore
    • 25 Bill White
    Mostly unfabulous.
    • 52 Metascore
    • 83 Bill White
    And who would have guessed that, in this age of excess and one-upmanship, when bigger is always better, the year's most romantic screen kiss would last a mere two seconds.
    • 51 Metascore
    • 58 Bill White
    Amounts to little more than high-class soap opera.
    • 57 Metascore
    • 75 Bill White
    The pleasure of watching such well-crafted entertainment offsets the small disappointments.
    • 51 Metascore
    • 58 Bill White
    Most of the film, however, goes down easily enough. The Queer Strokes, an all-gay rowing team, provide a humorous contrast to the less sexually confidant characters.
    • 58 Metascore
    • 50 Bill White
    The script offers neither character revelations nor plot twists. It unfolds by the numbers, like the product of an amateur screenwriter's salon. Its second-hand ideas originate in movies ranging from 1960's "The Apartment" to 1997's "The Ice Storm."
    • 86 Metascore
    • 100 Bill White
    A heartbreaking look at broken trust.
    • 73 Metascore
    • 75 Bill White
    Peled's film, much of it shot clandestinely with smuggled cameras, is commendable in its fair depiction of the problems faced by the textile industry.
    • 90 Metascore
    • 100 Bill White
    A miracle of a movie that is both fairy tale and slice of life.
    • 66 Metascore
    • 58 Bill White
    While their stories are well worth telling, first-time director Ruskin fails to shape his material into the dynamic film it might have been.
    • 73 Metascore
    • 50 Bill White
    Rampling is fascinating as Ellen, the aging romantic who hardens her vulnerability with a materialist philosophy regarding the buying and selling of sex. The other two actresses give more superficial performances, with Young totally unconvincing as a Southern neurotic.
    • 67 Metascore
    • 75 Bill White
    This is a film about brave women who left home as teenagers and have been on their own ever since. Now, nearing the end of that road, they face their inevitable decline with a cheerful vivacity.
    • 73 Metascore
    • 75 Bill White
    In its best moments, The Cats of Mirikitani captures both the tragedy and transcendence of his life, from the Sacramento-born, Hiroshima-raised youth who returned to the States in 1937 rather than join the Japanese Imperial Army, to the proudly self-sufficient man who struggled through New York's fierce winters until gaining recognition both as an artist and a human being.
    • 66 Metascore
    • 58 Bill White
    This is standard fare on the subject of father and son relations.
    • 55 Metascore
    • 67 Bill White
    If the Polish brothers haven't quite mastered the mechanics of mainstream filmmaking, they have succeeded in bringing an independent spirit to the studio film.
    • 71 Metascore
    • 50 Bill White
    Never more than a dull and confused film about Bolivia's 2003 presidential election.
    • 73 Metascore
    • 75 Bill White
    With adventurous forays into questionable neighborhoods and stimulating tours through street markets, "Crossing the Bridge" is about the city as much as its music.
    • 57 Metascore
    • 25 Bill White
    Plays like a pilot for a situation comedy about a 40-year-old carpenter who decides to return to the boxing ring.
    • 67 Metascore
    • 83 Bill White
    The dark, rotting interiors and sunless winter skies create a festering atmosphere of unexpiated guilt as Kremer ponders the question of how a decent man is to navigate the rivers of hell.

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