Bill White
Select another critic »For 178 reviews, this critic has graded:
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50% higher than the average critic
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3% same as the average critic
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47% lower than the average critic
On average, this critic grades 3.5 points lower than other critics.
(0-100 point scale)
Bill White's Scores
- Movies
- TV
| Average review score: | 62 | |
|---|---|---|
| Highest review score: | The Holy Mountain | |
| Lowest review score: | Underclassman | |
Score distribution:
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Positive: 100 out of 178
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Mixed: 57 out of 178
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Negative: 21 out of 178
178
movie
reviews
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- Bill White
As sketch comedy, The Ten often is imaginative and sometimes hilarious...Still, like precursors from "The Groove Tube" to "Jackass," it doesn't make for much of a movie.- Seattle Post-Intelligencer
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- Bill White
The script is undone by confusing romantic developments, a convoluted murder mystery and a facile and maudlin resolution.- Seattle Post-Intelligencer
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- Bill White
The cast is perfect, but the script is like a low ceiling, keeping a lid on what should have been a confluence of riotous misadventures.- Seattle Post-Intelligencer
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- Bill White
In what essentially is a two-character play, Kirk and Nicholson behave more like acting partners than real people. Their lack of appetite for each other is particularly awkward in the frequent scenes requiring casual nudity and sexual activity.- Seattle Post-Intelligencer
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- Bill White
Although set 10 years after high school graduation, Just Friends is a dumb teen comedy.- Seattle Post-Intelligencer
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- Bill White
A special film, one that refuses to package a person's life into a comfortably familiar genre.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Bill White
Meirelles adds another perspective, that the epidemic might be a good thing if, by being thrown into the darkness together, we may once again recognize the human family to which we all belong.- Seattle Post-Intelligencer
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- Bill White
Its combination of maudlin sincerity, cruel slapstick, exotic romanticism and boogie-down dance sequences may befuddle more than it entertains.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Bill White
The soundtrack is a mess, with period music out of sync with the period, as when the 1967 song, "White Rabbit," underscores a 1965 acid trip.- Seattle Post-Intelligencer
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- Bill White
Writer/director Wayne Kramer's approach to storytelling is to withhold any information that might give away the plot.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Bill White
Three movies gasp for life inside the clumsily titled Marilyn Hotchkiss' Ballroom Dancing & Charm School.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Bill White
The Life Before Her Eyes is like one of those puzzles. There is something wrong in each scene, and the viewer zeroes in on the elements that don't fit, wondering if there is a purpose behind them.- Seattle Post-Intelligencer
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- Bill White
Its comedy too often blunders into meaningless slapstick, with bombs and bloodshed replacing pratfalls and pies in the face.- Seattle Post-Intelligencer
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- Bill White
The movie has a soul, and its good-natured charm may well win over the most cynical heart.- Seattle Post-Intelligencer
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- Bill White
The result is an initially hilarious picture that grows perplexingly trite as screenwriter Peter Straughan transforms Young's sly observations into assembly-line pap.- Seattle Post-Intelligencer
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- Bill White
For those whose idea of hilarity is an adult and a kid throwing fireworks at each other, then getting stoned and playing piggyback in the mall, this movie should be a refreshing tonic.- Seattle Post-Intelligencer
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- Bill White
Garity, son of Jane Fonda and Tom Hayden, gives the kind of performance rarely seen in today's movies.- Seattle Post-Intelligencer
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- Bill White
Undiscovered promotes one of the stupidest visions of the entertainment industry since "American Idol" opened the celebrity gateway to the dregs of the karaoke generation.- Seattle Post-Intelligencer
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- Bill White
What finally sinks the film is that the more it tries to dazzle us, the more uninterested we become.- Seattle Post-Intelligencer
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- Bill White
The actors, all unprofessional with the exception of Kim Chan as the Zen master, step on each other's clipped lines so regularly that it becomes a stylistic affectation, like Mamet directing Beckett.- Seattle Post-Intelligencer
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- Bill White
When the little girl tells her decapititated doll, "It's not just a bad dream," she is right. It's just a bad movie.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Bill White
The life of a prison guard is dull, no matter who is in the cell. Director Bille August makes what he can of this material, always holding our interest but never fulfilling the promise of a close encounter with one of the 20th century's most controversial leaders.- Seattle Post-Intelligencer
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- Bill White
The film's one original moment comes when Bluto has a conversation with a cow. The rest of it, from the distorting lens used randomly to suggest unreality, to the twist ending lifted verbatim from the superior "High Tension," is about as imaginative as a portobello steak with onions.- Seattle Post-Intelligencer
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