Ben Travis

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Empire
For 69 reviews, this critic has graded:
  • 69% higher than the average critic
  • 1% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Ben Travis' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Boy and the Heron
Lowest review score: 20 Godzilla: King of the Monsters
Score distribution:
  1. Positive: 27 out of 69
  2. Mixed: 41 out of 69
  3. Negative: 1 out of 69
69 movie reviews
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    • 41 Metascore
    • 40 Ben Travis
    O'Dessa
    For all its originality, O’Dessa can’t help but get tangled up in its own mythology, dragged down by a romance that never sizzles.
    • 40 Metascore
    • 60 Ben Travis
    Come Away
    It never quite tumbles into Wonderland, but the ambition at play — and a top cast of supporting players — is just enough to let Come Away off the Hook.
    • 40 Metascore
    • 60 Ben Travis
    Meg 2: The Trench
    Despite elements that threaten to drag it down into the depths, Ben Wheatley’s Meg sequel (cherish those words) battles a waterlogged script with playful pulpiness, delivering solid summer fin. Sorry, fun.
    • 39 Metascore
    • 40 Ben Travis
    The Deliverance
    Well-intentioned, with a strong performance from Andra Day — but uneven human drama eventually gives way to boringly familiar horror tropes. All round, The Deliverance struggles to deliver.
    • 36 Metascore
    • 40 Ben Travis
    The Killer's Game
    Despite a handful of cool moments, The Killer’s Game turns out to be one not worth playing.
    • 36 Metascore
    • 60 Ben Travis
    Time Cut
    Destined to be forgotten the minute it’s finished, Time Cut is a passable addition to the slash-up genre – acceptable Halloween fare for the fright-challenged, or anyone with a soft spot for the music of Hilary Duff.
    • 35 Metascore
    • 60 Ben Travis
    Argylle
    Flashy, fun and light on its feet, Argylle papers over its cracks with twist upon twist — and charming performances from its central duo.
    • 34 Metascore
    • 40 Ben Travis
    Texas Chainsaw Massacre
    Its title might be near-identical, but this legacy sequel is everything the original wasn’t — pleasantly gory, but light on atmosphere and really, really stupid.
    • 29 Metascore
    • 40 Ben Travis
    Fisherman's Friends: One and All
    Despite being anchored by moments of real emotion and good performances from James Purefoy and Imelda May, One And All often feels like it’s taking on water while drifting further out to sea.
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