Autumn Wright

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For 9 reviews, this critic has graded:
  • 55% higher than the average critic
  • 0% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 11.1 points higher than other critics. (0-100 point scale)

Autumn Wright's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 The Boy and the Heron
Lowest review score: 50 Turtles All the Way Down
Score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
9 movie reviews
    • 91 Metascore
    • 100 Autumn Wright
    The film is as complicated as the man it is about, and this is what makes The Boy and the Heron a masterwork.
    • 90 Metascore
    • 95 Autumn Wright
    Look Back is a requiem for art lost to violence, to circumstance, to conformity. It is also an argument to create.
    • 77 Metascore
    • 70 Autumn Wright
    At its best, Suzume is a film that imagines modern Japan as a post-apocalyptic setting, evoking the animated beauty and “mono no aware” of pastoral iyashikei like Yokohama Kaidashi Kikou.
    • 76 Metascore
    • 75 Autumn Wright
    The noir thriller takes us on a contemplative tour of a thoughtfully considered future, where traveling between Lunar and Martian colonies is as easy as flight today.
    • 75 Metascore
    • 80 Autumn Wright
    Nimona is a legend for the freaks and the queers, a story told in figures, archetypes and tropes. Nimona understands that villains are often made villainous for their bodies and identities. Nimona embraces queer coding and turns it into a subversive power fantasy.
    • 71 Metascore
    • 70 Autumn Wright
    Blue Giant is a somewhat tropey story that captures its characters’ big feelings, and its incorporation of live combo recordings contributes something unique to the steadily growing canon of musical anime. While not quite the feature I would’ve expected from Tachikawa after Mob Psycho 100, it’s a strong next step in the director’s career.
    • tbd Metascore
    • 90 Autumn Wright
    A quintessential “last teen summer” story, the premise of Goodbye, Don Glees!, writer/director Atsuko Ishizuka’s first original feature, is a bit trite at first blush. But like the nectar of succulent flowers in full bloom, there is much to savor.

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