Audrey Fox

Between characters who have no depth to them, cliched dialogue, and a strange approach towards the dynamics between an abuser and their victim, it's hard to recommend "It Ends with Us" to anyone but the most diehard Colleen Hoover fans. Pour one out for Blake Lively and Jenny Slate, who both deserve so much better.

It's almost impressive that a movie all about the power of imagination could be so creatively bankrupt and incurious about the world, but this misguided kids' film manages to be all that and so much more (or less, depending on your perspective).

Although it falls apart slightly in the third act (a treat the director is unfortunately unable to shake here), a tense narrative and unsettling performance from Josh Hartnett makes Trap a delightful late summer thriller.

Shyamalan may have inherited her father's love of the twist ending, but the one she creates in "The Watchers" is as unearned and unsatisfying as they come.

It's the incomparable Strong who steals the show as Cohn, the Pygmalion who carves Trump out of spray tan and ill-fitting suits to make him into the monster he becomes.

Like many high-concept satire movies, it works best in its first act when it's still setting everything up, then it loses steam when it's not quite sure where to go with the idea. The end result is an uneven yet still entertaining satirical romp, bolstered by engaging performances from its top-notch cast.

Emilia Pérez can certainly be messy, but it's rarely a mess, and many audiences might just fall in love with its audacious, chaotic energy.

It's muddled in the extreme and few of its cast members make it out of the debacle unscathed, but its willful rejection of what audiences might want to see in favor of what Francis Ford Coppola wanted to make is so bold you almost have to admire it.