Audrey Fox

Although it has some bright spots, even flickers of chemistry between its stars Miles Teller and Anya Taylor-Joy, it's let down by repetitive action sequences, an uninspiring reveal, and dialogue that feels as though it was written by ChatGPT.

While its nods to the '90s are all painfully accurate, it seems like Mooney was so focused on capturing the essence of Y2K that he forgot that all of this needs to be in the service of a story that's actually engaging. Sorry to all involved, but 91 minutes has never felt so long.

Shyamalan may have inherited her father's love of the twist ending, but the one she creates in "The Watchers" is as unearned and unsatisfying as they come.

Between characters who have no depth to them, cliched dialogue, and a strange approach towards the dynamics between an abuser and their victim, it's hard to recommend "It Ends with Us" to anyone but the most diehard Colleen Hoover fans. Pour one out for Blake Lively and Jenny Slate, who both deserve so much better.

After the Hunt is a slog that wastes the talents of its stars on unlikeable characters in befuddling situations, rarely coming near a coherent plot point with any degree of competence.

Instead of a slightly silly, character-driven series that spins off Michelle Yeoh's Emperor of the Terran Empire character, we get a hastily thrown together buddy comedy that lacks any semblance of humor or, for that matter, buddies.

This film is a slog to get through, and by the end you almost feel as though you yourself have been trapped in the hole for weeks.

Mercy is not a good movie, with hackneyed dialogue and stock performances that, ironically, seem like they themselves could have been generated by AI. But worse than that, it's a movie that pushes insidious views about AI, law enforcement, and privacy laws under the guise of a brains-off action thriller.