Anna Smith

A sad story, but well told, with respect for its subject and an eye for the Shakespearian tragedy in the tale.

This fantasy comedy should entertain its pre-teen female market – and repel those silly superficial boys (swoon).

A strong opening, bursting with wit and vigour, gives way to a predictable, patronising and immensely lazy second half. Could have been so much more.

Lazy but functional tween fare.

A fascinating portrait of a broken rock star picking up the pieces, this misses a few tricks but still entertains.

The highschool hijinks may entertain the young, but those more familiar with the Bard will recognise this as a wasted opportunity.

Rubbish. Irish eyes will be hard pressed to grimace, let alone smile.

Strong turns from its female leads and Amanda Seyfried elicits more sexual tension from proceedings than "Jennifer's Body" ever managed.

Though occasional acerbic touches remain, the sections that are drawn directly from the original remain hampered by the loss of Coward's dialogue. But the first half of the film, an addition detailing events only described in the play, is pure Hitchcock, its combination of conciseness and idiosyncrasy demonstrating his mastery of silent narration.

It means well, but it's all just a bit too tired a formula - even by the standards of a kids film. Put this one in the top field to 'rest'.

A lowest common denominator spoof.

Though infuriatingly difficult to categorise, the film is bold, inventive, stimulating and extremely entertaining.

Witty and articulate but the continual editing devices can distract from the momentum.

This is one expensive folly.

Fun musical numbers and cartoonish humour give way to a bland sermon about the evils of the music industry.

This has charm and glamour but little profundity.

This Indian immigrant family saga is a pleasant watch, but given the emotive source novel, it’s surprisingly superficial.

Predictable and pleasant, with enjoyable performances.

From chases on boats to bust-ups on buses, the action and locations are fitfully engaging, but the story feels cobbled together and the dialogue is often painful.

Both the well-choreographed crash scenes and the gritty cinematography hint at a better film. Shame no-one took the time to make it.

Sporadically amusing but rarely inspired.

There's charm in this simple underdog tale, but clunky plotting and characterisation mean it has 'telemovie' written all over it.

A far-from-rosy life story makes this lengthy biopic entertaining, but despite a strong lead performance it fails to get under Piaf’s skin.

Bland, but wholesome.

Surprisingly watchable despite the formulaic teen format.

This has the power to unite a female audience ready and willing to overlook its supposed weaknesses.

Falls between romance and drama without really satisfying either.

Likeable stuff despite being slow paced and rather sentimental.