Anna Miller

The Smashing Machine boasts strong performance, but the film hits fairly generic story beats.

With a powerhouse ensemble leading viewers through their raw, tender story, it’s more than a necessary watch that should aid in opening minds and prompting conversation.

Distancing itself from clichés in the name of honesty and earnestness, the charming British dramedy showcases the whole gamut of human relationships but takes tender care to highlight the good. The performances are delightfully honest, its cinematography is visually stunning and immersive, and the tale it tells is one of forgiveness and letting go – one that highlights the power of being gentle to one another.

What the film lacks in these specific story aspects it makes up for with its enchanting style and captivating tale.

Samuel Van Grinsven’s ambient and meandering ghost story is undoubtedly a haunting concept with committed performances and effective elements, but the film just can’t help but overstay its welcome.

Don’t Let’s Go to the Dogs Tonight is a fascinating indie flick with enough pull to find its audience. Davidtz does well enough with her first feature, and the story, along with Venter’s incredible performance, is more than enough to pique the audience’s interest enough to perhaps pick up the memoir.

When the Light Breaks recognizes there is somewhat of a delicate yet feral nature that humans exude while in the throes of anguish. Gone is the poise and self-control we put on with our clothes for the world each day, and out emerge some of the most animalistic qualities we regularly stifle.