Ann Hornaday
Select another critic »For 2,056 reviews, this critic has graded:
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49% higher than the average critic
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2% same as the average critic
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49% lower than the average critic
On average, this critic grades 0.6 points higher than other critics.
(0-100 point scale)
Ann Hornaday's Scores
- Movies
- TV
| Average review score: | 66 | |
|---|---|---|
| Highest review score: | The Tragedy of Macbeth | |
| Lowest review score: | Orphan | |
Score distribution:
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Positive: 1,363 out of 2056
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Mixed: 375 out of 2056
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Negative: 318 out of 2056
2056
movie
reviews
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- By Critic Score
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- Washington Post
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- Ann Hornaday
Not to be missed, if only for an unforgettable leading performance by Kevin Bacon.- Washington Post
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- Ann Hornaday
Although the dogs have surely been Disney-fied to some extent, the sequences of them trying to survive are magnificent and deeply moving. Bring the Kleenex, and hug your pups when you get home.- Washington Post
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- Ann Hornaday
A fascinating experiment that, if the viewer is willing to surrender to Haynes's sometimes hermetic meditations on Dylan's life, heartily rewards the investment.- Washington Post
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- Ann Hornaday
Even the uninitiated will be hard-pressed to resist the movie's charms, from its likable leading players and its charming Dublin setting to its wistful take on modern love.- Washington Post
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- Ann Hornaday
An absorbing and inspiring portrait of two musicians whose unerring sense of what's right -- both artistically and ethically -- has not just held them in good stead but driven their particular brand of success.- Washington Post
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- Ann Hornaday
If the zombie genre steadfastly refuses to die, we can be grateful to Shaun of the Dead for breathing fresh, diverting life into the form, with subtle visual humor and a smart, impish sense of fun.- Washington Post
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- Ann Hornaday
A wise, funny film about the little leaps of faith it takes to just get through the day.- Washington Post
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- Ann Hornaday
Kristin Scott Thomas delivers an unnervingly smooth performance as Auteuil's suspicious wife.- Washington Post
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- Washington Post
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- Ann Hornaday
Isn't everyone's cup of tea -- as the Polishes admit in a clever bit of critical preemption -- but it possesses an undeniable, haunting grandeur.- Washington Post
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- Ann Hornaday
A killer concert film, an ecstatic testament to the joys of fandom and a tribute to the democratizing potential of moviemaking technology.- Washington Post
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- Ann Hornaday
Engaging, witty and touching film, one that defies categories to become a romantic comedy, historical biopic and philosophical rumination, all in one.- Washington Post
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- Ann Hornaday
Terrific family entertainment, an action comedy on a par with "Night at the Museum" and "National Treasure."- Washington Post
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- Ann Hornaday
Cinema at its most intellectually honest and morally necessary.- Washington Post
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- Ann Hornaday
Full of visual dazzle, engaging characters and a reasonably sprightly narrative.- Washington Post
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- Ann Hornaday
Nader haters may not be mollified, but An Unreasonable Man, like its subject itself, is a one-stop civics lesson no one should miss.- Washington Post
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- Ann Hornaday
An extravagant and thoroughly irresistible story of intrigue, romance, comedy and artistic inspiration.- Washington Post
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- Ann Hornaday
As portrayed by William Moseley, Skandar Keynes, Georgie Henley and especially Anna Popplewell as Susan, the Pevensies still make for terrific tween protagonists, and Aslan, the majestic mythical lion voiced by Liam Neeson, is still a breathtaking manifestation of the Cat Upstairs.- Washington Post
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- Ann Hornaday
Stands as a valuable chronicle of a brief and snarling musical movement.- Washington Post
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- Ann Hornaday
It doesn't take a screenwriter, for example, to point out the uncanny fact that, when two parent penguins perform a neck-curving pas de deux above their tiny chick, they resemble nothing so much as a perfect heart.- Washington Post
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- Ann Hornaday
Clerks II finds Smith up to the profane, raunchy, profoundly humanist mischief of which he alone is the master. This is a lewd, lascivious, exhilaratingly life-affirming celebration of misfits and the misfits who love them.- Washington Post
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- Ann Hornaday
This is documentary-making at its best, not pretending to be journalism, but still playing a crucial role in telling stories that otherwise wouldn't make the front page.- Washington Post
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- Ann Hornaday
Combines nonstop action with an absorbing story to become a classic on par with "Hoosiers" and "Hoop Dreams."- Washington Post
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- Ann Hornaday
A sweet and hilarious romantic comedy featuring a breakout performance by British comic genius Ricky Gervais, inspires viewers to pause, reflect and praise one of the most rare and wondrous occurrences in contemporary cinema: the Good Movie.- Washington Post
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- Ann Hornaday
Combining the best of fantasy and somber reflection, The Water Horse is a lovely ride.- Washington Post
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- Ann Hornaday
With composure so out of fashion these days in the public square, Steven Soderbergh's adamantly restrained The Informant! arrives like a cleansing tonic.- Washington Post
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- Ann Hornaday
Belongs, wholly and completely, to Clarkson, who delivers Joy's mordant asides and withering observations with a flawless balance of tartness and vulnerability.- Washington Post
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- Ann Hornaday
For all the pain and loss that The Kite Runner depicts, it is still a film of exhilarating, redemptive humanity, conveying an enduring sense of hope.- Washington Post
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- Ann Hornaday
Blessedly free of the self-righteous histrionics and sentimentality that so often cheapen powerful personal stories.- Washington Post
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