Angie Errigo

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Empire
For 311 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Angie Errigo's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Touch of Evil
Lowest review score: 20 The Little Rascals
Score distribution:
  1. Positive: 104 out of 311
  2. Mixed: 203 out of 311
  3. Negative: 4 out of 311
311 movie reviews
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    • 76 Metascore
    • 80 Angie Errigo
    Dreamgirls
    Ardent, accomplished, overwhelmingly emotional, with something to say and a dream cast saying it in song. Bravo.
    • 67 Metascore
    • 80 Angie Errigo
    The Darjeeling Limited
    Funny peculiar and funny ha ha, with a spontaneity and energy that gather up a powerful emotional head of steam as it chugs along.
    • 82 Metascore
    • 80 Angie Errigo
    Frozen River
    Original, sad, suspenseful and involving: the kind of work that helps independent American cinema retain its good name.
    • 72 Metascore
    • 80 Angie Errigo
    The Rocket
    A stirring, lushly-constructed celebration of youthful spirit.
    • 69 Metascore
    • 80 Angie Errigo
    Barton Fink
    The allusions and illusions are just a treat until about two-thirds of the way in, when a genuinely shocking development takes the film off into psycho-horror that is almost as baffling as it is unsatisfying.
    • 88 Metascore
    • 80 Angie Errigo
    Brooklyn
    Unashamedly romantic and achieved with a beautifully subtle, old-fashioned elegance, it’s a graceful coming-of-age tale ripe for awards.
    • 64 Metascore
    • 80 Angie Errigo
    Tamara Drewe
    Think The Archers with a sprinkling of trendier folk and a lot more shagging. Very intelligently funny, with stellar performances.
    • 82 Metascore
    • 80 Angie Errigo
    Love Is Strange
    Elevated from nice to beautifully memorable by wonderful performances and thoughtful direction of perfect small moments.
    • 69 Metascore
    • 80 Angie Errigo
    The Bridges of Madison County
    Streep and Eastwood's chemistry makes the film.
    • 64 Metascore
    • 80 Angie Errigo
    The Way
    Gentle, likable and profoundly touching, it makes you want to dig out the hiking boots and make the same journey.
    • 84 Metascore
    • 80 Angie Errigo
    Homicide
    As a psychological drama, it's a sophisticated, gripping piece that unusually leaves you wanting to go on past its unsettling conclusion.
    • 47 Metascore
    • 80 Angie Errigo
    Silver City
    Smart, intriguing, funny and sad, with some primo wisecracking dialogue.
    • 74 Metascore
    • 80 Angie Errigo
    Frankenweenie
    Very sweet, very funny, really quite touching and exquisitely handmade, by a film lover with humour and a heart, for a like-minded audience.
    • 51 Metascore
    • 70 Angie Errigo
    The Pelican Brief
    Much like Pakula's "Presumed Innocent", this is a solid and intelligent, if unspectacular adaptation, and just a tad tighter than The Firm to give it the edge that's needed.
    • 52 Metascore
    • 60 Angie Errigo
    Absolute Power
    A film that is entertaining but not seriously absorbing.
    • 60 Metascore
    • 60 Angie Errigo
    Cool Runnings
    Cheesy? Certainly. But strong performances and a heart-warming storyline make this a winner.
    • 64 Metascore
    • 60 Angie Errigo
    Jack Goes Boating
    Philip Seymour Hoffman puts his oar in with a tender, thoughtful adaption of Robert Glaudini's stage play. A little too measured to deliver an emotional punch, it's nevertheless beautifully acted and at times rather lovely.
    • 52 Metascore
    • 60 Angie Errigo
    The Next Three Days
    Okay, but it lacks conviction.
    • 47 Metascore
    • 60 Angie Errigo
    Thunder and the House of Magic
    A curious mix of Britpop music cues and moppet-bait storytelling makes for a diverting, if derivative kids' animation.
    • 64 Metascore
    • 60 Angie Errigo
    The Nutty Professor
    Occasionally irritating farce but inventive and boasting an endearing as well as laugh-out-loud performance from Murphy in and out of fat suit.
    • 69 Metascore
    • 60 Angie Errigo
    The Drop
    The cute puppy almost steals the show but Hardy is ace and quite the watchable chameleon in his surprising switch from lovable dumb ox to cannier-than-we-thought.
    • 71 Metascore
    • 60 Angie Errigo
    The Birdcage
    If it weren't so darned "sincere" this would be an unmitigated bird-brained delight, but it undoubtedly remains a genial crowd pleaser.
    • 56 Metascore
    • 60 Angie Errigo
    Manglehorn
    Holly Hunter goes toe-to-toe nicely with the superbly understated Al Pacino loner obsessed with a long-lost love — one of his most rewarding outings in a very long time.
    • 75 Metascore
    • 60 Angie Errigo
    Win Win
    Funny, agreeable and thoroughly enjoyable, if a little bit too neat and fortuitous in sorting out its entangled strands.
    • 51 Metascore
    • 60 Angie Errigo
    Yves Saint Laurent
    As elegant as the man's clothes, this handsome biopic traces 20 incident-filled years in the life of the designer.
    • 56 Metascore
    • 60 Angie Errigo
    One Fine Day
    Minus delightful stars, this would be laboured indeed. Thanks to them, it scrapes along as modestly appealing fluff.
    • 64 Metascore
    • 60 Angie Errigo
    Belle
    If not a star-making turn, Mbatha-Raw's tough, tender performances should give her plenty of opportunities in sharper fare.
    • 42 Metascore
    • 60 Angie Errigo
    The Replacement Killers
    It's just like a spectacularly excessive and melodramatically daft Cantonese crime opus, but in English, with a thumpingly trendy soundtrack.
    • 70 Metascore
    • 60 Angie Errigo
    Freaky Friday
    Happily, Jamie Lee Curtis gurning through a guitar solo (she is Lady Spinal Tap, after all) while her floundering ‘mother’ mimes on stage is amusing.
    • 47 Metascore
    • 60 Angie Errigo
    Night at the Museum: Secret of the Tomb
    Against the odds, perhaps, but part three injects a tiring franchise with new life and some surprisingly dark jokes. Some fun cameos and another winning Dan Stevens turn also add much needed unpredictability to the miniature goings-on.
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