For 153 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 15.5 points lower than other critics. (0-100 point scale)

Angel Cohn's Scores

  • Movies
  • TV
Average review score: 50
Highest review score: 88 Shut Up & Sing
Lowest review score: 20 My Boss's Daughter
Score distribution:
  1. Positive: 21 out of 153
  2. Negative: 25 out of 153
153 movie reviews
    • 26 Metascore
    • 38 Angel Cohn
    Overall, Graham and Perabo have so little to do that it's hard to imagine why Maggie has three daughters instead of one; they just clutter up her screen time. As to Perabo, she seems to exist for the sole purpose of making risque remarks, and the family dog has more memorable moments.
    • 56 Metascore
    • 50 Angel Cohn
    Fans may be disappointed that some of the show's secondary characters, like Lizzie's pal Miranda, are AWOL from this Prince and the Pauper-style escapade, and some of the scenes involving Gellman are disappointingly flat.
    • 41 Metascore
    • 50 Angel Cohn
    The young stars have considerable natural chemistry and do their best to make the rehashed material approachable and entertaining while maintaining their kid-friendly images.
    • 37 Metascore
    • 40 Angel Cohn
    Alba, constantly sporting off-the-shoulder tops a la "Flashdance," brings no depth of feeling to her character, and her average -- often wooden -- moves make it hard to believe she's a uniquely talented hoofer and sought-after choreographer.
    • 37 Metascore
    • 30 Angel Cohn
    All the money in the world couldn't have saved actress-turned-filmmaker Troy Beyer's lewd, obnoxious, product placement-laden remake of the sweet and simple romantic comedy "Can't Buy Me Love."
    • 45 Metascore
    • 50 Angel Cohn
    While the film has striking moments, it feels padded with events that seem freighted with narrative weight but end up not mattering at all to the story.
    • 67 Metascore
    • 60 Angel Cohn
    For all the technical wizardry that went into making the film, Paxton's reflections on the human tragedies of the Titanic and the terrorist attack of Sept. 11th, 2001, which took place while the crew was out at sea, provide one of the film's most haunting moments.
    • 71 Metascore
    • 50 Angel Cohn
    Its real liability is on the special effects front: The sub-par digital effects — particularly in the scenes featuring poisonous lizards — detract noticeably from the overall atmosphere.
    • 19 Metascore
    • 20 Angel Cohn
    The film's only mildly appealing character is the "Big A" store clerk (Brian Posehn) who refuses to be amused by Lloyd and Harry's moronic antics; sadly, even he eventually succumbs to the film's relentless and overarching stupidity.
    • 38 Metascore
    • 38 Angel Cohn
    The cast is eclectic and talented, but their roles are two-dimensional and the is-it-or-isn't-it-satirical? tone ensures that their performances never seem properly pitched.
    • 82 Metascore
    • 60 Angel Cohn
    Stunningly beautiful scenery and the nearly unbelievable true story of a mountain-climbing expedition gone awry to chilling effect.
    • 40 Metascore
    • 40 Angel Cohn
    Favors light action over character dynamics.
    • 59 Metascore
    • 75 Angel Cohn
    Sometimes stumbles into the trap of excessive predictability. But its amiable (and largely fictionalized) heart tugging still makes for charming all-ages entertainment.
    • 28 Metascore
    • 30 Angel Cohn
    The film's only sparks are generated by Tom's last-ditch attempt to win back Sarah's affections, but they come too late to redeem the picture from its surfeit of over-the-top physical comedy and low-brow jokes.
    • 33 Metascore
    • 30 Angel Cohn
    The only memorable moments in the entire film come courtesy of three supporting characters, dopey skateboarders (Evan Peters, Shane Hunter, Hunter Parrish) who blindly follow Julie around.
    • 54 Metascore
    • 50 Angel Cohn
    The pre-credits sequence, featuring a variety of old-school snack treats performing a speed-metal number about courteous movie-theater behavior, is flat-out hilarious and deserves to be played before all R-rated films.
    • 69 Metascore
    • 60 Angel Cohn
    While Edward Norton convincingly portrays both the good and bad side of his conflicted man, a great deal of the insight into his character comes from the strong supporting cast.
    • 47 Metascore
    • 50 Angel Cohn
    Swings wildly between heartstring-tugging melodrama, testosterone-fueled action and buddy comedy.
    • 64 Metascore
    • 60 Angel Cohn
    The outlandish premise and greasy title may be a little hard to swallow, but Danny Leiner's proudly moronic film embraces its boneheadedness so cheerfully that its lowbrow charms are nearly irresistible.
    • 26 Metascore
    • 40 Angel Cohn
    Filled with tremendous stunts and well-shot racing sequences, director Steve Boyum's loud, down-and-dirty ride through the world of Supercross motorcycle racing comes to a screeching halt for its many pit stops for Hollywood clichés.
    • 42 Metascore
    • 38 Angel Cohn
    Moooove along, there's nothing to see here!
    • 64 Metascore
    • 50 Angel Cohn
    Delivers 90 minutes of riotously funny raunch; unfortunately, its running time is closer to two hours.
    • 25 Metascore
    • 40 Angel Cohn
    The story is a bit predictable and the characters given to restating the obvious (presumably for the benefit of very young viewers), but overall this third Pokemon sequel is surprisingly entertaining.
    • 84 Metascore
    • 75 Angel Cohn
    The young actors are charming, O'Toole commands every scene he's in, the scenery is lush, and the animals are gorgeous.
    • 45 Metascore
    • 20 Angel Cohn
    To call this scattered and cliché-ridden film less-than-cohesive would be generous, and Moore lacks the ability to imbue hackneyed dialogue with resonance.
    • 41 Metascore
    • 60 Angel Cohn
    Bynes is a charmer who adeptly straddles the line between romantic heroine and physical comedienne, while Firth is extremely enjoyable as a befuddled father.
    • 15 Metascore
    • 20 Angel Cohn
    Outrageous and often disgusting film.
    • 46 Metascore
    • 40 Angel Cohn
    Generally amusing -- if occasionally overly sentimental.
    • 33 Metascore
    • 40 Angel Cohn
    This heist flick is far more likely to drive audiences away than catch and keep anyone's interest in the title kid -- or more accurately, kids.
    • 49 Metascore
    • 40 Angel Cohn
    Despite the sluggish opening, Kutcher and Bernie Mac ensure that this predictably plotted comedy of preposterous misunderstandings is occasionally quite funny.

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