Andy Webster
Select another critic »For 271 reviews, this critic has graded:
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54% higher than the average critic
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9% same as the average critic
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37% lower than the average critic
On average, this critic grades 6.3 points lower than other critics.
(0-100 point scale)
Andy Webster's Scores
- Movies
- TV
| Average review score: | 59 | |
|---|---|---|
| Highest review score: | The Farthest | |
| Lowest review score: | A Haunted House 2 | |
Score distribution:
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Positive: 118 out of 271
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Mixed: 122 out of 271
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Negative: 31 out of 271
271
movie
reviews
- By Date
- By Critic Score
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- Andy Webster
An investigation among the attendees grants Mr. Andò the opportunity to pursue pithy, discursive exchanges about power, austerity and capitalism amid high-end accommodations and a tasteful classical soundtrack.- The New York Times
- Posted Jul 6, 2017
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- Andy Webster
Its ecological concerns, nuance and occasional lyricism place it squarely within the Ghibli oeuvre but not among its masterpieces.- The New York Times
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- Andy Webster
The movie benefits greatly from Mr. Amoedo’s largely steady direction and the uniform acting skills of its Chilean cast (performing in English).- The New York Times
- Posted Jun 11, 2015
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- The New York Times
- Posted May 24, 2017
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- Andy Webster
The film may leave you hungry for deeper insight into some its most renowned purveyors.- The New York Times
- Posted Apr 23, 2015
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- Andy Webster
Mr. Chi, making his feature debut with Tentacle 8, lavishes attention on his characters at the expense of the through line binding them.- The New York Times
- Posted Jun 18, 2015
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- Andy Webster
The actors are uniformly impressive, and Mr. Wheatley’s longtime cinematographer, Laurie Rose, shooting in black and white, combines stunning pastoral compositions with bursts of graphic violence punctuated by blazing flintlocks.- The New York Times
- Posted Feb 6, 2014
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- Andy Webster
A savvy exercise in inspirational feel-good cinema lightly seasoned with grit.- The New York Times
- Posted Nov 17, 2016
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- Andy Webster
The director, Joey Kuhn, making his feature debut from his own script, has created fairly credible and sympathetic characters, despite the 1-percenter milieu.- The New York Times
- Posted May 5, 2016
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- Andy Webster
Though the script tilts to the didactic, the performances are absolutely delicious, with Mr. Meaney droll and understated and Mr. Spall fiery and derisive, yet not above a joke.- The New York Times
- Posted Jun 15, 2017
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- Andy Webster
Mr. Payet, who is one of the film’s directors and screenwriters, is a comedy star in France, and this movie is facile with its comic rhythms and dramatic flow.- The New York Times
- Posted Oct 16, 2014
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- Andy Webster
There’s much sympathy but little tension in P J Raval’s new documentary.- The New York Times
- Posted May 29, 2014
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- The New York Times
- Posted May 4, 2017
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- Andy Webster
Mr. Wirthensohn, who has known Mr. Reay since both were models, sees Mr. Reay’s life as a metaphor for the vanishing middle class. But Mr. Reay merely comes across as an aging casualty of Manhattan fashion, vainly chasing his fortune in a fickle industry that prizes youth.- The New York Times
- Posted Aug 6, 2015
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- Andy Webster
The Boy, despite remarkable performances and gorgeous imagery, does not sufficiently flesh out its subject.- The New York Times
- Posted Aug 20, 2015
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- The New York Times
- Posted Sep 18, 2014
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- Andy Webster
Only You is served very well by Ms. Tang (a star of Ang Lee’s “Lust, Caution”). Whether playing elated, sorrowful, coy or petulant, she consistently provides the spark the movie could use more of.- The New York Times
- Posted Jul 23, 2015
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- The New York Times
- Posted Aug 11, 2016
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- Andy Webster
Though rich in period detail, the movie grows tiresome with solemn, protracted soap-operatic encounters laden with glowering stares and tearful outbursts.- The New York Times
- Posted Aug 27, 2015
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- Andy Webster
This frenetic movie has moments of wit, and Ms. Feiffer, a seasoned screen and Broadway performer, has range, stamina and charisma.- The New York Times
- Posted May 9, 2013
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- Andy Webster
The movie may suffer from a surfeit of excesses, but it does have arresting, if overwrought, things to say about domestic abuse in India.- The New York Times
- Posted Jun 15, 2015
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- Andy Webster
Having painted Victor as a transgressive offender, Mr. Senese backpedals furiously with a coda asserting the potential rewards of genetic manipulation. It isn’t convincing.- The New York Times
- Posted Jul 2, 2015
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- Andy Webster
Mr. Hough, a “Dancing With the Stars” champion, impresses with his footwork and sufficiently fulfills his romantic-lead duties. BoA is cute and appealingly impudent, but a bit more remote. On the floor, however, their chemistry ignites.- The New York Times
- Posted Apr 17, 2014
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- Andy Webster
An intermittently diverting stew of low-budget effects and potty-mouth humor.- The New York Times
- Posted Mar 19, 2015
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- Andy Webster
Kabbalah Me, which distinguishes between “narrow consciousness” and “expanded consciousness,” merely walks the middle ground.- The New York Times
- Posted Aug 21, 2014
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- Andy Webster
The find here is Alexa Nisenson as Georgia, Rafe’s know-it-all little sister, who takes cars out for a spin. She is blessed with the best lines, comic and dramatic, and appears delightfully cognizant of the fact. If only the movie had more of her.- The New York Times
- Posted Oct 6, 2016
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- Andy Webster
Mr. Mercer’s character doesn’t attract sympathy comparable to that for Ms. Townsend’s (Ms. Lore’s Harper fares better), but there is no holding back on the worms, dermatologic nightmares, venereal-disease metaphors and hints of future sequels. Start stocking up now on the Pepto-Bismol.- The New York Times
- Posted Sep 3, 2015
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- Andy Webster
Clearly, the architect and the filmmaker are tight, which does not entirely benefit Big Time.- The New York Times
- Posted Nov 30, 2017
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- Andy Webster
The directors, Dallas Hallam and Patrick Horvath, are fluent in the genre’s staples (creaky interiors, slamming doors, yada yada yada), lighting schemes and startling edits. And they draw decent work from their actors, who commit to the wispy, subtext-free material.- The New York Times
- Posted Oct 9, 2014
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- Andy Webster
The film’s director, Liz Tuccillo — a former writer for “Sex and the City,” an author of “He’s Just Not That Into You” and now developing a sitcom for Lauren Graham — is predictably facile with comic rhythms, though her dialogue tilts toward the glib, and her characterizations toward the familiar.- The New York Times
- Posted Dec 4, 2014
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